《NMB和学习君》（日语：NMBとまなぶくん）是一个由关西电视台所制作、主要以关西地区为播放范围的知识性综艺节目，也是以关西为主要活动中心的女子偶像团体NMB48的冠名节目之一。由搞笑二人组镰鼬（かまいたち）担任节目主持人，NMB48为固定班底，自2013年4月11日开始，于每周四深夜24时35分（相当于周五凌晨零时35分）播放，每集长度55分钟。

《NMB和学习君》（日语：NMBとまなぶくん）是一个由关西电视台所制作、主要以关西地区为播放范围的知识性综艺节目，也是以关西为主要活动中心的女子偶像团体NMB48的冠名节目之一。由搞笑二人组镰鼬（かまいたち）担任节目主持人，NMB48为固定班底，自2013年4月11日开始，于每周四深夜24时35分（相当于周五凌晨零时35分）播放，每集长度55分钟。

我们的起重机查理，推土机比利和挖掘机艾德都是精巧的迷你卡车。 这些小巧而聪明的建筑卡车为卡车们和游乐园组装零件，比如 冰淇淋卡车、大滑梯、消防车等等。快来和迷你卡车们一起开心的学习吧！

伊森是一辆迷你而活泼的翻斗车。 它总是在尝试新的冒险，并尽可能通过他玩的游戏学到东西。 在他的冒险中，伊森学习了形状、颜色和数字。 小朋友们快来和伊森一起快乐地学习吧！

"The word 'revolution' to us Frenchmen is not a vague term. We know that Revolution is a rupture, that Revolution is an Absolute. There is no such thing as a moderate revolution, there is no such thing as a planned revolution—as one speaks of a planned economy. The revolution we are announcing will overturn the entire existing order or it will not take place at all. If we believe that the present system is capable of being reformed, that it can, in itself, check the fatal course of its evolution towards Dictatorship—the dictatorship of money, of race, of class, of the Nation—we will certainly refuse to run the risk of an explosion capable of destroying precious things that can only be rebuilt with much time, perseverance, selflessness, and love. But the present system will not change the course of its evolution for the good reason that it is no longer evolving; it is merely reorganizing itself with the view of lasting a little longer, of surviving. Far from professing to resolve its own contradictions, which are, in any case, impossible to resolve, it seems more and more inclined to impose them by force through strict regulation of individual effort that grows more rigid and more particular every day, carried out in the name of a sort of State Socialism, which is the democratic form of Dictatorship. Every day, in fact, brings us another proof that the purely ideological era has long since passed, in New York as well as in Moscow and London. We can see the Imperial English Democracy, the Plutocratic American Democracy and the Marxist Empire of Soviet Dominions walking, if not hand in hand—far from it!—at least pursuing the same goal, that is to say maintaining at all costs and even while appearing to oppose it, the system in which they have acquired wealth and power. For, in the end, Russia has profited no less from the capitalist system than America and England; it has played the role of the Member of Parliament who makes a fortune in Opposition. In short: regimes formerly opposed in ideology are now directly united by Technology. A world dominated by Technology is lost for Liberty."

"The word 'revolution' to us Frenchmen is not a vague term. We know that Revolution is a rupture, that Revolution is an Absolute. There is no such thing as a moderate revolution, there is no such thing as a planned revolution—as one speaks of a planned economy. The revolution we are announcing will overturn the entire existing order or it will not take place at all. If we believe that the present system is capable of being reformed, that it can, in itself, check the fatal course of its evolution towards Dictatorship—the dictatorship of money, of race, of class, of the Nation—we will certainly refuse to run the risk of an explosion capable of destroying precious things that can only be rebuilt with much time, perseverance, selflessness, and love. But the present system will not change the course of its evolution for the good reason that it is no longer evolving; it is merely reorganizing itself with the view of lasting a little longer, of surviving. Far from professing to resolve its own contradictions, which are, in any case, impossible to resolve, it seems more and more inclined to impose them by force through strict regulation of individual effort that grows more rigid and more particular every day, carried out in the name of a sort of State Socialism, which is the democratic form of Dictatorship. Every day, in fact, brings us another proof that the purely ideological era has long since passed, in New York as well as in Moscow and London. We can see the Imperial English Democracy, the Plutocratic American Democracy and the Marxist Empire of Soviet Dominions walking, if not hand in hand—far from it!—at least pursuing the same goal, that is to say maintaining at all costs and even while appearing to oppose it, the system in which they have acquired wealth and power. For, in the end, Russia has profited no less from the capitalist system than America and England; it has played the role of the Member of Parliament who makes a fortune in Opposition. In short: regimes formerly opposed in ideology are now directly united by Technology. A world dominated by Technology is lost for Liberty."

改编自日本漫画，日剧《龙樱》的韩国版，讲述了一群不良学生以考上最好的大学为目标而奋斗的故事。

究竟谁才可以读上名牌大学？如果没有学校老师、家长的辅助，如果缺乏各种资源和信息。处于社会底层的学生，真的可以仅凭自己一人的努力，独自考取名牌大学吗？ 　　而在激烈的入学考试竞争中生存下来的名牌大学的学生们，能如愿开始梦想中的大学生活吗？ 　　孩子的梦想是安全的吗？他们真的有做梦的资格吗？

究竟谁才可以读上名牌大学？如果没有学校老师、家长的辅助，如果缺乏各种资源和信息。处于社会底层的学生，真的可以仅凭自己一人的努力，独自考取名牌大学吗？ 　　而在激烈的入学考试竞争中生存下来的名牌大学的学生们，能如愿开始梦想中的大学生活吗？ 　　孩子的梦想是安全的吗？他们真的有做梦的资格吗？

根据调查，台湾三成左右的国中生不知道或没有人生方向。到大学，近半数最痛苦不知自己要做什么。大学四年后，许多选择延毕或读研究所，主要目的是探索人生方向。为什么，我们一天比一天成熟，却越来越不清楚自己真正要的是什么？ 　　从14岁开始拍摄，费时五年，少年导演杨逸帆在四位就读体制外学校，却走向传统升学道路的朋友身上，找到蛛丝马迹。为了替学生发声，他更报考基测，亲身体验‘不省仍试’的教育...