都市生活艰辛残酷，年轻人该躺平还是奋进？《深城树下》给出别样答案：爱情至上。 “疯批霸总”专业户甄子琦饰演男一，看他如何演绎音乐人固执与恋爱脑； 演艺界“反渣斗士”辛雨锡饰演女一，看她如何诠释音乐人的洒脱与姐弟恋。 影片大量录用深圳音乐人的原创歌曲，堪称耳朵盛宴。插曲与人物成长阶段相呼应，每一首都能烘托故事氛围，观众仿佛在看演唱会或音乐剧。人物、人与城市的情感通过音乐实现了更意象化的表达。

讲述了一位“深漂”音乐人始终坚持初心、克服万难、执著追梦的故事。大学毕业后的萧默来到深圳，先在酒吧驻唱，之后当了外卖小哥。期间，结识了歌手浩哥、人生导师谷子、心爱之人宁朦。一次意外让萧默来到了工地打工，在此期间他将在深圳的所见所闻所感原创了一首歌曲，并在工友聚餐时弹唱，被人传上了网络，引起了小范围的关注。经过谷子的开导，萧默看清了自己的初心，经过一番波折，乐队组建成功。但好景不长，家人的反对、乐队成员的分歧、情人之间的误会、谷子的病重，乐队几近解散。经过一番挣扎，众人总还是不忘初心，怀揣着对音乐的热爱而再次走到了一起！同时，每个人也终与家人和解，解开了各自的心结。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

"凌晨三点，我的手机突然响了，“妈妈，明天早上千万别走钟泉路!电话那头传来一个小男孩急切的声音。我直接挂断这通诈骗电话，因为我根本没有孩子。我像往常一样走钟泉路去上班。突然迎面走来的人掏出一把刀，径直刺进了我的胸口.…刺骨的疼痛让我瞬间清醒。我猛地坐起来，大口喘气，手入摸向胸口， "

12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。

12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。