凯蒂,17岁,一个可爱的姑娘。她是个癌症患者。在她住院期间遇到一个男孩托尼,这个男孩看起来苍白,紧张。凯蒂试图与托尼交朋友。 鼓励托尼忘记痛苦和加入“王国”。她给托尼幻想了一个美丽的“王国”！在她看来虽然“王国”只存在于他们的脑海里,但纯洁和美妙的想象使他们感觉不到疼痛和更多的希望。凯蒂和托尼,互相写信给对方。鼓励对方要坚强。他们幻想未来，他们分享生活的快乐和照片 ！随着时间流逝,两个年轻的病人的状况越来越不好，但是他们希望生活可以越来越好。不幸的是,癌症夺去了他们的生命。但两个灵魂,用生命的希望和爱创造一个童话天堂“沉默的王国”。

凯蒂,17岁,一个可爱的姑娘。她是个癌症患者。在她住院期间遇到一个男孩托尼,这个男孩看起来苍白,紧张。凯蒂试图与托尼交朋友。 鼓励托尼忘记痛苦和加入“王国”。她给托尼幻想了一个美丽的“王国”！在她看来虽然“王国”只存在于他们的脑海里,但纯洁和美妙的想象使他们感觉不到疼痛和更多的希望。凯蒂和托尼,互相写信给对方。鼓励对方要坚强。他们幻想未来，他们分享生活的快乐和照片 ！随着时间流逝,两个年轻的病人的状况越来越不好，但是他们希望生活可以越来越好。不幸的是,癌症夺去了他们的生命。但两个灵魂,用生命的希望和爱创造一个童话天堂“沉默的王国”。

在德国一座中世纪大学城的植物园中，一棵古老的银杏树静静矗立，见证着三个时代中人与自然之间的深层联结。1908年，大学首位女性学生透过摄影镜头，在植物的微观结构中发现宇宙的神圣秩序；1972年，一位沉默的青年在观察天竺葵的过程中，悄然改变了对世界的感知；2020年，一位来自香港的神经科学家在研究婴儿意识的同时，与这棵树展开一场意想不到的实验。

该片以德国古老大学城马尔堡的中心植物园为故事背景，围绕一棵树的一百年展开三段故事，探索感知与真实的关系，也讲述人类对植物、动物与自身的理解如何变迁。

Suzanne in her fifties, is on the top of her professional carrer as a international art agent. She suddenly loses her voice and is obligated to take a break from her activities; As she arrives in her vacation home in the South of France, she can finally take the time to take care of herself and rediscover what makes her passionate. Until she falls in the arms of a young family friend's arms. A vacation that should of been calm and peaceful, is now turning into an avalanche when Suzanne's daughter discovers her mother misbehaving.

在滚滚向前的时代浪潮中，三个停在原地、命运纠缠的青年，既是彼此怀疑的仇人，又是同住一个屋檐下的兄弟。为揭开家人不幸遭遇的真相，他们必须掀开埋藏已久的地下黑幕。双时空叙事下的人物命运，编织出层层反转的追凶故事；极具地域特色的地下城生态，深挖时代变迁下小人物的冷暖情仇；静水下有深流，人生可以暂停，治愈当下青年的价值表达。

This film is an experiment on editing, deconstructing and reconstructing, a game of collision between frames. As a narrative body disintegrates, it gradually becomes possible for viewers to pay attention to the phenomena of intra-frame intervals.

才华横溢的外科医生安东·卡什塔诺夫，身兼大型诊所主任，却决定逃离强势刻薄的妻子波琳娜，躲回静水村。在那里，他与童年好友重逢，寻找内心的平静。

Suzanne in her fifties, is on the top of her professional carrer as a international art agent. She suddenly loses her voice and is obligated to take a break from her activities; As she arrives in her vacation home in the South of France, she can finally take the time to take care of herself and rediscover what makes her passionate. Until she falls in the arms of a young family friend's arms. A vacation that should of been calm and peaceful, is now turning into an avalanche when Suzanne's daughter discovers her mother misbehaving.

This film is an experiment on editing, deconstructing and reconstructing, a game of collision between frames. As a narrative body disintegrates, it gradually becomes possible for viewers to pay attention to the phenomena of intra-frame intervals.