本片追踪记录了一项全球高风险任务，建造詹姆斯·韦布空间望远镜（JWST）并将其发射到距离地球一百万英里的轨道上，本片试图回答自时间开始以来一直困扰我们的问题：我们从哪里来？宇宙是如何开始的？我们是孤独的吗？《深空》展现了我们从未见过的宇宙；观众将沉浸在NASA新太空望远镜传回地球的惊人图片中——并在只有在巨大的IMAX银幕上才能体验到的规模领略它们的宏伟美景。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

2150年，飞往宜居星球香巴拉星的人类开拓者飞船遭遇意外，唤醒了一位休眠者。这位休眠者引导他们前往一个古老破败的空间站。营救出了一个被困多年的幸存者。

2150年，飞往宜居星球香巴拉星的人类开拓者飞船遭遇意外，唤醒了一位休眠者。这位休眠者引导他们前往一个古老破败的空间站。营救出了一个被困多年的幸存者。