1543年，一艘葡萄牙船首次访问日本，揭开了向远东扩张、文化交流和贸易的序幕。这个动画利用屏风，生动地展现了当年那些长鼻子的西方人是如何历尽艰辛到达彼岸，以及日本当时的风土人情。航行带来了大量的新奇物品，奇珍异兽，最主要的是，历史的新一页掀开了。

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

本片追踪记录了一项全球高风险任务，建造詹姆斯·韦布空间望远镜（JWST）并将其发射到距离地球一百万英里的轨道上，本片试图回答自时间开始以来一直困扰我们的问题：我们从哪里来？宇宙是如何开始的？我们是孤独的吗？《深空》展现了我们从未见过的宇宙；观众将沉浸在NASA新太空望远镜传回地球的惊人图片中——并在只有在巨大的IMAX银幕上才能体验到的规模领略它们的宏伟美景。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

2150年，飞往宜居星球香巴拉星的人类开拓者飞船遭遇意外，唤醒了一位休眠者。这位休眠者引导他们前往一个古老破败的空间站。营救出了一个被困多年的幸存者。

2150年，飞往宜居星球香巴拉星的人类开拓者飞船遭遇意外，唤醒了一位休眠者。这位休眠者引导他们前往一个古老破败的空间站。营救出了一个被困多年的幸存者。

据中国电影报披露2022部分筹备电影项目，田壮壮导演，以中国登月为背景的新作《深空之门》正在推进中。

崇尚科技修仙的新术崛起，传承千年的修真旧术却逐渐没落，旧术天才小子王煊，意外加入神秘组织秘路，夺至宝、战新术、斗列仙、在一系列惊险刺激的冒险中，他窥探到旧术隐藏的大秘密。为应对即将降临的巨大危机，王煊不惜深入星空，挑战自己成长的极限。