故事从一名高中生叙述而开始，五岛桐绘和她的男朋友斋藤秀一以及住在这个受诅咒的黑涡镇的人们，面对着一连串围绕在漩涡相关的诅咒和超自然事件当中，而这座小镇的秩序也即将失控。

故事从一名高中生叙述而开始，五岛桐绘和她的男朋友斋藤秀一以及住在这个受诅咒的黑涡镇的人们，面对着一连串围绕在漩涡相关的诅咒和超自然事件当中，而这座小镇的秩序也即将失控。

赵雨大厦遇怪事，包括办公室里披头散发的人、瑶瑶的出现和离开等，之后赵雨打电话质问李想关于瑶瑶的事，李想敷衍应对，说瑶瑶是想出名的神经病瑶瑶在花店购买了一些物品后，给傻明明食物并躲在花坛里，她与傻明明交流感慨，还为傻明明戴上回形针手链并叮嘱他，之后赵雨在办公室收拾东西发现被烧的女演员资料和变形垃圾桶，生气地扔进垃圾箱，这一切被瑶瑶看到。回家又与女友莎莎争吵。次日，他在公司发现瑶瑶，瑶瑶想找李想报仇。瑶瑶忆起被骗经历，四处寻找李想，甚至惊醒明明。李想在豪华别墅误杀高姐，偷梁换柱般让明明顶罪。最终，李想所做之事阴差阳错被发现，得到法律的制裁。

貌美如花的高中生五岛桐绘，所到之处却总是不断有异常的惨剧和怪事接踵发生。而且令人难以理解的是，这些种种奇异怪事，都跟「漩涡」扯上千丝万缕的关系！不管是对漩涡疯狂迷恋的狂人、被漩涡吞食的魔女或是极度诡异的魔发。这一切的异象，到底是从何而来的呢？而五岛桐绘又……

貌美如花的高中生五岛桐绘，所到之处却总是不断有异常的惨剧和怪事接踵发生。而且令人难以理解的是，这些种种奇异怪事，都跟「漩涡」扯上千丝万缕的关系！不管是对漩涡疯狂迷恋的狂人、被漩涡吞食的魔女或是极度诡异的魔发。这一切的异象，到底是从何而来的呢？而五岛桐绘又……

四年前，小童的男友所乘的飞机不幸失事，因自己的催促而使男友改乘失事的飞机。四年里，小童沉浸在内疚与怀念当中，无法释怀。 　　从小被收养的林小锋，一直暗恋着从小一起长大的小女孩——玩世不恭的阿朵，为了让养父濒临倒闭的蓝贝药业公司起死回生，林小锋对小童展开了爱情攻势。 　　深爱小童的益臣药业公司老板陈动与小童有了小锋，小童的天平顷刻倾斜了。 　　得知一切的陈动倍感痛心，散漫的阿朵却爱上了这个“无家可归”的人。因林小锋的介入，陈动苦心经营的婚姻走向了尽头。被激怒的陈动为报复林小锋，决定接近林小锋从少年起的爱恋，却意外得知那个爱恋竟是阿朵。

日本松竹株式会社出品，改编自松本清张的小说。

In a small South Indian town, a seemingly routine minor case explodes into a twisted crime thriller that rips apart its social fabric.

黄百鸣人生第一部电影。比较业余。整部电影投资大概20万港元，据黄百鸣自己讲电影甚至底片都已经遗失的了。

Everything initiates from Greek Tragedy in this plot. However, does "Catharsis" exists? 　　In a Greek remote location, the protagonists enter in a self destructive behavior initiated by a young female. She is the medusa. A stranger looks at her and decides to stay with the group. Previously the brother of her boyfriend, who had sex with her, ended up dead. The movie ends with a knife, and an intent to kill. 　　Death for love, love and death, or deadly love? The moral? It was difficult for me to find a moral on the film. It seems that either Koundouros does not want to adhere to the Platonic purpose of art, or, I was not capable of understanding the moral. 　　To my belief Koundouros tries to take a shot, to depict a vivid aspect of life. I wonder however why he constantly refuses to show the beauty of the Greek scenery. Why scenes focus on people like profiles that would be taken from amateur photographers. 　　On the contrary he shows several scenes of the filming crew (actors themselves) while this has the effect of detaching the viewer from the "reality" of the movie. 　　A lot could be said about this film. It is indeed difficult to understand, it takes patience and insight, and certainly it would be difficult for someone not initiated in Greek culture to appreciate the philosophical connotations of the plot or even specific scenes. 　　Koundouros did an amazing job making the scene speak of itself, however I also believe he said that this film needs "the help of the viewer". He was right.