来自《维度》制作者Jos Leys, Étienne Ghys and Aurélien Alvarez的后续作品《混沌》，是一部有9个短片构成的数学电影。它尝试向更多观众介绍动力系统，蝴蝶效应和混沌理论。《混沌》有许多语言和字幕可供选择。 　　From Jos Leys, Étienne Ghys and Aurélien Alvarez, the makers of Dimensions, comes CHAOS, a math movie with nine 13-minute chapters. It is a film about dynamical systems, the butterfly effect and chaos theory, intended for a wide audience. CHAOS is available in a large choice of languages and subtitles.

来自《维度》制作者Jos Leys, Étienne Ghys and Aurélien Alvarez的后续作品《混沌》，是一部有9个短片构成的数学电影。它尝试向更多观众介绍动力系统，蝴蝶效应和混沌理论。《混沌》有许多语言和字幕可供选择。 　　From Jos Leys, Étienne Ghys and Aurélien Alvarez, the makers of Dimensions, comes CHAOS, a math movie with nine 13-minute chapters. It is a film about dynamical systems, the butterfly effect and chaos theory, intended for a wide audience. CHAOS is available in a large choice of languages and subtitles.

Vincent, Marie and their son have just moved from Paris into a farm near a small town in the south of France. He is a history and geography teacher, who looks forward to a quieter life, some kind of return to nature. His wife, a renowned international pianist, who retired in spite of her young age, has decided to follow him but almost unwillingly. From the very beginning, Thibault, one of Vincent's students, invades his family and slowly the couple, whose desires seem now so far away, falls apart. But Thibault's intentions are not at all motivated by love. And he will do anything to achieve his goal...

一位年轻女子与混沌之王进行较量。她越想赢，就越无法成功。导演通过神话故事回顾了她发现生活中有些事情是她永远无法控制的那段时光。

一位年轻女子与混沌之王进行较量。她越想赢，就越无法成功。导演通过神话故事回顾了她发现生活中有些事情是她永远无法控制的那段时光。

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

《黎明》（Daybreak）是《触摸未来》（Touch）的网络衍生剧，两者在情节上没有直接关联。《触摸未来》第一季后半部分剧情中提到了一个神秘的「十二面体」，一些人认为这东西有神奇的力量。《黎明》的故事将重点描述这个「十二面体」的秘密，包括其形状的由来和真实的力量。