A Missionary converting an Indigenous Community in a remote Ecuadorian volcano must come to terms with her own Faith when her son is possessed by dark forces.

A Missionary converting an Indigenous Community in a remote Ecuadorian volcano must come to terms with her own Faith when her son is possessed by dark forces.

巴西纪录片《前任萨满》，导演是路易斯·波洛涅西。“在土著祷告的地方被烧毁，福音派教会的暴力登峰造极的时候，把这部电影选送到柏林意味着通过电影传播世界各地的森林与古老文明的精神，所以我很高兴。”导演如是说。这个纪录片讲述的是土著佩佩拉族的故事，苏瑞是一个印第安人，在他成为一名萨满信徒的森林里，他活到了20岁。与白人接触后，一位福音派牧师对他说说，萨满的行为和知识是属于魔鬼的，而后佩佩拉开始内部冲突。尽管他是一个福音派，并将自己定义为一名前萨满教徒，但他仍然以一名森林中长大的人的观点看待这个世界。这个真实的电影最让人感动的是，导演波洛涅西拍摄的所有细节的东西，都使我们旁观者变成了一个被遗忘的智慧的古老文化最后时刻的见证人，一代文明最后的叹息。

巴西纪录片《前任萨满》，导演是路易斯·波洛涅西。“在土著祷告的地方被烧毁，福音派教会的暴力登峰造极的时候，把这部电影选送到柏林意味着通过电影传播世界各地的森林与古老文明的精神，所以我很高兴。”导演如是说。这个纪录片讲述的是土著佩佩拉族的故事，苏瑞是一个印第安人，在他成为一名萨满信徒的森林里，他活到了20岁。与白人接触后，一位福音派牧师对他说说，萨满的行为和知识是属于魔鬼的，而后佩佩拉开始内部冲突。尽管他是一个福音派，并将自己定义为一名前萨满教徒，但他仍然以一名森林中长大的人的观点看待这个世界。这个真实的电影最让人感动的是，导演波洛涅西拍摄的所有细节的东西，都使我们旁观者变成了一个被遗忘的智慧的古老文化最后时刻的见证人，一代文明最后的叹息。

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

残暴的拉雷（西塞尔·帕克 Cecil Parker 饰）屠杀了整个王室，自称为王。一个尚在襁褓之中的小婴儿逃过一劫，被代号黑狐（丹尼·凯耶 Danny Kaye 饰）的秘密英雄所救。在手下霍金斯（丹尼·凯耶 Danny Kaye 饰）和梅姬（格莱妮丝·约翰斯 Glynis Johns 饰）的帮助下，一行人带着皇族最后的正统血脉小王子踏上了逃亡的旅途。 　　与此同时，拉雷为了平定内乱，派出了美丽的关德林公主（安吉拉·兰斯伯瑞 Angela Lansbury 饰），想要利用她的美貌得到爵士格力斯的效忠。哪知道在阴差阳错之下，霍金斯竟然也爱上了关德林公主，于是他和格力斯之间开始了一场决斗。

我爱了裴修衍十二年， 却未感动他分毫， 只换来他听信白莲花的一面之词， 把怀孕的我从阁楼扔了下去，小产的伤痛尚未痊愈， 便传来裴修衍将叶家灭门， 那唯一的证物， 是我亲手从父亲手里， 拿来献给裴修衍的城防图， 他拿我的一片真心， 化作利刃刺向我的家人， 自此我一病不起， 最后裴修衍只能请出卫大夫为我诊治， 卫大夫把脉后， 面色渐渐难看， 裴修衍素来俊朗的眉眼跟着皱了起来