短片来自新片场创作人廉欣导演。 　　该片获得澳门国际电影节最佳短片以及最佳短片导演大奖。 　　故事讲述的是一个开着修车棚的棚主老杨，因为儿子打了人让本来贫困的家又雪上加霜。 　　就在老杨陷入了不知该如何筹集更多的钱时，此时一个宝马女却因为开车发消息，正好误撞了他的修车棚。宝马女本以为只是一个破的棚子，随便赔几百块就可以完事儿，但没想到，自己在下车后却被老杨讹上了。 　　于是，无法离开的宝马女，只好求助自己的男友。但前来处理问题的男友，却因为看到自己胸前和老杨争执时不小心留下的手印而对老杨进行了暴打后，还提出了要老杨赔偿他两万块的要求。 　　为了换取和平，老杨只好答应了男友的要求。但和老杨进入屋中取钱的男友，最终却被众人以杀人罪的罪名摁在了地上。 　　被男友暴打的老杨为何会倒在血泊之中？屋子里的俩人究竟发生了什么？ 　　就悬疑片来说，它的悬念环环相扣，其中部分音效和高速镜头还极大的放大了压抑感。 　　当中值得一提的是它的结局，因为相信看到最后，会带给你一种意料之外的感觉。 　　这部短片中并没有坏人，但每个人看起来也都不太像是好人。 　　据导演说，这部短片的故事灵感是来源于他几年前看到的一则新闻。 　　有位宝马车修车摊擦碰之后强行索赔，摊主被逼急之后杀了宝马车主。 　　当时，宝马车主被杀网上出现了一片叫好之声。 　　人们大都说宝马车主仗势欺人，被杀是活该。 　　但他却觉得事情本不该如此。因为每个发生的事件，当中所处的每一个人其实都有其善恶的两面性。 　　我们不该被网络暴力所挟持。因此，他便想要构建一个更合理的故事，没有对错的故事，力求展现出事件中更多的侧面，让观众来评判是非善恶。 　　想来，每当我们讨论起关于人性的话题，评论总是会十分的激烈。 　　但与其说人们都想为这个产生议论的事情发声，倒不如说我们都只是在为了自己想要的结局求得更多的认同。

10年前的一个夏夜，警官袁文山（冯绍峰 饰）接到一起抢劫杀人案，在逐渐深入的调查过程中，当晚在场的嫌疑人们逐一浮出水面，然而案情的真相远非表面那般…

Based on true events, Picco sheds light on the everyday life of youth prison inmates in Germany and shows in a merciless way that the judiciary system is by no means able to re-educate these lost youths. Kevin is new in youth prison. He has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail. It is hard for Kevin to establish himself. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. An advice that will trigger most dire consequences and will lead to a night that will change the lives of the four inmates forever.

Satché is about to die. He decides to make his last day on this world the day of his life.

"老蔡一生慈善，无子女便收养一儿一女。60 岁寿宴当天，他本要与律师宣布遗嘱，将财产平分给养子女。不料养子早与律师勾结，知晓遗嘱后欲独吞财产，设局陷害。寿宴上，两人上门称老蔡驾车撞人并逃逸，还打砸车辆。受害者儿子哭诉丧母之痛，老蔡明知自己前日未开车，却百口莫辩。混乱中，养子拿出 “证据”，监控显示开车者是老蔡。受害者儿子悲愤之下刺死老蔡。老蔡离奇重生，决心找出线索洗冤，让恶人受惩。"

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，老洪（黄志忠…

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠 饰）、“小洪”洪翼舟（朱一龙 饰）父子俩于绝境处挺身而出，他们如何与16万人度过这场生死危机？

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

因为一个深藏的秘密，这个看似幸福的家庭承受着多年以来的创伤，而两代人之间的冲突又让这个家面临四分五裂的危机。