游戏中，网名“锄禾”的陆完完正在双枫崖休憩，原本安静的环境却一时间人满为患，原来是游戏高手“墨白之间”出现了，锄禾也前去凑热闹，却在众目睽睽下意外将墨白之间撞下悬崖。锄禾本想向他道歉，却被墨白之间五次连杀报仇，这下锄禾在游戏中“一撞成名”。 陆完完作为电影学院表演系大四待毕业生，哥哥陆广寒希望她尽快签入自家经纪公司英格，可陆完完却表示在成为演员这条路上想靠自己的实力，拒绝了哥哥的提议，她与闺蜜开四处参加剧组面试寻找机会。 游戏中锄禾被玩家挑衅，在她前言善变下二人成为朋友，并共同组队游戏闯关。同组的队友竟然还有太白三剑、墨白之间两位游戏高手，挑衅她的竟然也是游戏高手唐门少主，一群高手带着一只游戏“菜鸟”冲向游戏副本“秦川”。面对副本中超高难度的怪物，锄禾应对不暇，还好关键时刻墨白之间出手相救，取得胜利。 陆完完是演员韩京墨和顾乔北的影迷，但此刻她还不知道墨白之间就是韩京墨，而太白三剑就是顾乔北。公益篮球赛中，陆完完为两位韩京墨和顾乔北喝彩，手中水瓶却失手掉落，差点砸伤韩京墨。

陆完完（张雪迎 饰）在游戏中因手滑操作，误把全服第一大神“墨白之间”撞飞，两人因此结缘，展开了一段有趣的游戏之旅。现实中，陆完完一直关注着韩京墨（毕雯珺 饰）的作品，却被他当众泼水，一怒之下反目成仇，开启了在日常生活中的斗智斗勇。而陆完完没想到，墨白之间就是韩京墨，无论线上还是线下，他都一直执着陪伴在她的身边，二人从游戏走向现实，收获爱情的同时也实现了对演艺梦想的追求。 　　该剧改编自大橘猫的小说《大神，你家夫人又挂了》。

Elaine is a young woman who lives in a skyscraper in a megacity. Suffering from depression and anxiety, she hasn't gone out of her room for months. One day, the thundering sound of water falling outside her window wakes her up. Outside her window is a window cleaner with soap in his eye. He needs a tissue to wipe his eye, and Elaine is the only person who can help. But that would require her to open the window and reach out. With a full anxiety flare-up, Elaine retreats behind curtains to shut him out and keep herself "safe." She tries ignoring him, but he doesn't go away. Eventually, she decides to gather up little courage to open the window. She hands the window cleaner a tissue and relieves him from pain. But it's not the window cleaner's gratitude that surprises Elaine. She realizes she opened the window by herself. It's spring outside, and things are alive and moving. The breeze wakes her up from a long slumber. She smiles for the first time because she sees the window is clear like her mind. She can finally rip the old pages from her calendar and catch up on the life she had been missing.

Elaine is a young woman who lives in a skyscraper in a megacity. Suffering from depression and anxiety, she hasn't gone out of her room for months. One day, the thundering sound of water falling outside her window wakes her up. Outside her window is a window cleaner with soap in his eye. He needs a tissue to wipe his eye, and Elaine is the only person who can help. But that would require her to open the window and reach out. With a full anxiety flare-up, Elaine retreats behind curtains to shut him out and keep herself "safe." She tries ignoring him, but he doesn't go away. Eventually, she decides to gather up little courage to open the window. She hands the window cleaner a tissue and relieves him from pain. But it's not the window cleaner's gratitude that surprises Elaine. She realizes she opened the window by herself. It's spring outside, and things are alive and moving. The breeze wakes her up from a long slumber. She smiles for the first time because she sees the window is clear like her mind. She can finally rip the old pages from her calendar and catch up on the life she had been missing.

清风村宋家长媳生产那日，曾有一名云游道士路过产房，并且断言，宋家双生子中将会有一名福星，双生子哥哥诞生后村中传来噩耗田地里面颗粒无收，而弟弟诞生后十年未曾下雨的清风乡终于迎来甘霖，宋家人断定弟弟是福星。五年过去，哥哥宋安安在宋家饱受虐待，而福星弟弟宋天赐却被宋家人捧在掌心，宋家人这五年来生意越做越红火，即将搬离清风村，村中人都传宋安安是灾星，为了不被宋安安身上的霉运沾染，宋家人将年仅五岁的安安一个人丢在乡下老宅。托付邻居照顾。五岁的安安在村子里备受嫌弃，邻居昧下了宋家每月打过来的抚养费，任由安安一个人自生自灭，只有村中一个美貌且嘴毒的寡妇周艳芳愿意对他施以援手......

幽暗的斗室地面中央，摆放着一领草席，草席上放着两张桌子。伴随着悠扬古朴的琴声，华歆和管宁两位好友自右而左走入房间。他们在各自的桌前坐定，拿起书册阅读起来。右边管宁治学认真，心无旁骛；左边的华歆则东张西望，心不在焉。他时而看看同伴，时而站起身张望门外热闹的场景。管宁见此深深叹了一口气，旋即掏出刀子将草席从中央割开，以示和华歆绝交。看到同学这一举动，华歆惭愧地低下了头…… 　　本片根据南宋人刘义庆撰写的《世说新语》中管华绝交（也作割席断交）的故事改编。

幽暗的斗室地面中央，摆放着一领草席，草席上放着两张桌子。伴随着悠扬古朴的琴声，华歆和管宁两位好友自右而左走入房间。他们在各自的桌前坐定，拿起书册阅读起来。右边管宁治学认真，心无旁骛；左边的华歆则东张西望，心不在焉。他时而看看同伴，时而站起身张望门外热闹的场景。管宁见此深深叹了一口气，旋即掏出刀子将草席从中央割开，以示和华歆绝交。看到同学这一举动，华歆惭愧地低下了头…… 　　本片根据南宋人刘义庆撰写的《世说新语》中管华绝交（也作割席断交）的故事改编。

Murdoch buys struggling Sun newspaper, hires Lamb as editor to revitalize it. The move sparks rivalry with The Mirror, launching the era of British tabloid journalism.

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.