由著名编剧Tony Marchant执笔，描述了一个爱情、家庭以及成长等组成的有关人性的故事。25岁的Aaron Hughes（Callum Turner饰）和父母住在沃灵顿，大学毕业后没有找到工作，更糟糕的是他的前女友Phoebe要和他的哥哥结婚了。生活并不像他预期中那样进行着，直到他遇到了Julie Ranmore（ Helen McCrory饰），一个已婚的两个孩子的妈，他发现自己的生活渐渐发生了改变...

由著名编剧Tony Marchant执笔，描述了一个爱情、家庭以及成长等组成的有关人性的故事。25岁的Aaron Hughes（Callum Turner饰）和父母住在沃灵顿，大学毕业后没有找到工作，更糟糕的是他的前女友Phoebe要和他的哥哥结婚了。生活并不像他预期中那样进行着，直到他遇到了Julie Ranmore（ Helen McCrory饰），一个已婚的两个孩子的妈，他发现自己的生活渐渐发生了改变...

演员圣地亚哥与其同居女友在同一部通俗舞台剧中饰演配角。两人过着幸福和谐的生活，直到圣地亚哥三十岁的儿子突然出现在他们小小的公寓里。原来他和母亲吵架，一怒之下离家出走。儿子吉尔莫整天不务正业，打电玩，撒谎，与酒吧女郎厮混。这一些都让作父亲的十分头疼。但随着两人接触的增多，原来那种日子渐行渐远，试图改变儿子的父亲渐渐成为儿子照顾帮助的对象。

在中国的一个小村庄，两岁的妍儿生活、嬉戏、悄然成长——而不断变化的世界在她背后缓缓流淌。

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

柳敏绘约徐念见面，请教带父母旅游事宜，并提及沈渡邀她去家过年。徐念惊讶觉得太快，建议她与沈渡好好沟通。柳敏绘回家后与沈渡商量，沈渡坚持邀她年前见父母，柳敏绘为难，坦言未将恋情告知自己父母。沈渡找徐念询问柳敏绘情绪，徐念建议暂缓见父母。两人再次沟通，沈渡承诺给足安全感，柳敏绘承诺今年向父母介绍他，明年去沈家过年。沈渡开心拥抱柳敏绘，两人达成共识。

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

10 hours of paint drying on a wall.