Perception changes ambiguously between moving images and sound. 　　I went on a journey by water. I had been gazing at the calm sea for hours on the back deck. Before my eyes was endless sky, the nearly leaning sea horizon, strong sunlight shining on the surface of the water, and trails on the sea traced by the ship. The sound were of the engine and waves, vibrations propagated through the ship hull, and a pleasant breeze. I’m trying to sense every moment. I am here to watch the sea. Thinking this, I will daydream even before I know it. Occasional whistles make the scene in front of me clear.

本片使用变奏两段式的叙事结构拍摄了长时间未能拍出新电影的导演海萍来到杭州参加研讨会，结识了接待自己的以卡子为首的三名年轻人，在等待坐上西湖的游船的过程中，芳芳与卡子和童童对于未来是否要坚持自己对于创作的初心，以及对去完成刚 上大学时的诺言产生了矛盾，三人的友谊出现裂痕，而导演海萍担任着线索推动的任务，让三人重归于好，自己也有了对于电影和创作的新的启发….

影片描述大赌徒格洛佛·唐纳休，偶然在用餐时发现了面包师被谋杀，遂跟他的手下展开侦查，证实此事跟夜总会老板乔丹富有关。但乔不久又被人暗杀，临死前举起五支手指有所暗示。格洛佛循线追寻到码头这边的大仓库，终于发现了纳粹间谍基地。格洛佛乃伙同黑道弟兄对间谍大头目霍尔埃宾展开宣战，破坏了他们准备炸毁纽约港的计划。

影片描述大赌徒格洛佛·唐纳休，偶然在用餐时发现了面包师被谋杀，遂跟他的手下展开侦查，证实此事跟夜总会老板乔丹富有关。但乔不久又被人暗杀，临死前举起五支手指有所暗示。格洛佛循线追寻到码头这边的大仓库，终于发现了纳粹间谍基地。格洛佛乃伙同黑道弟兄对间谍大头目霍尔埃宾展开宣战，破坏了他们准备炸毁纽约港的计划。

影片描述大赌徒格洛佛·唐纳休，偶然在用餐时发现了面包师被谋杀，遂跟他的手下展开侦查，证实此事跟夜总会老板乔丹富有关。但乔不久又被人暗杀，临死前举起五支手指有所暗示。格洛佛循线追寻到码头这边的大仓库，终于发现了纳粹间谍基地。格洛佛乃伙同黑道弟兄对间谍大头目霍尔埃宾展开宣战，破坏了他们准备炸毁纽约港的计划。

男孩接到许久未见的女孩的电话，他想起小时候和父亲去买石榴的一个下午，那天他们遇见了戴着红围巾的女人，他又记起和女孩在雪地里闲逛的另一个下午。

男孩接到许久未见的女孩的电话，他想起小时候和父亲去买石榴的一个下午，那天他们遇见了戴着红围巾的女人，他又记起和女孩在雪地里闲逛的另一个下午。

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

Art historian James Fox explores how the power of images has transformed the modern world.