女大学生加穗子是一个“被保护过度的典型典范”。凡事都依靠父母解决，无忧无虑地长大，加穗子就像一个“在无菌环境下培养出来的神奇人类”。21岁的她，到了该找工作的年龄，但是别说是兼职了，她甚至从未给自己挑过衣服，或单独乘坐电车，只有别人为自己拍照，从不曾为别人按下过快门。这样的加穗子终于走出抗菌的温室，一头扎进这个满是细菌的世界。然后她才明白“自己跟别人不一样”。然而把女儿当成闺蜜的母亲，和过度依赖女儿的父亲无法维持内心平衡，导致家庭走上分崩离析的道路。此时，加穗子和周围的人发现了沉睡在“温室里的加穗子”心中的真正力量。她经历各种试炼与挣扎，最后成为了“家庭”这一小小王国的女王。

单纯可爱的根本加穗子（高畑充希 饰）虽然已经是一名即将毕业的22岁女大学生，但是她几乎是在父母过度的呵护下长大的。每天早上，她需要母亲（黑木瞳 饰）帮忙叫早、挑选衣服，母女俩几乎融为一体。与此同时，加穗子的父亲（时任三郎 饰）对此感到困扰，可当他看到女儿公主般甜美笑容之时，也不觉内心开始融化，宠溺起女儿来了。然而站在人生十字路口，加上周围人的劝导，加穗子似乎再也不能闷头待在自己的安乐窝中了。她尝试寻找工作，也尝试了解人们的所感所想。 　　对她来说，眼前是一个完全陌生、充满挑战而又极具吸引力的世界……

SP讲述了加穗子（高畑充希饰）与初（竹内凉真饰）结婚一年后，一起努力扶持家庭的故事。

萨拉从父亲那儿遗传了一种最终会让她变为植物人的疾病，现在的她正面临着疾病的最初迹象。萨拉需要一个重大的改变。但在此之前，她必须努力摆脱童年那些关于暴力的记忆，所以她前去看望卧床不起的父亲，并把她到目前为止无法告诉他的一切都告诉了他。

并非“The Rising”。 　　“Greenhouse” will be based on David Wallace-Wells’ 2019 book “The Uninhabitable Earth: Life After Warming.” In ‘Uninhabitable Earth,’ Wallace-Wells' dives into various possibilities for Earth's future with the belief that, even with active intervention, the effects of climate change are inevitable and will have catastrophic impacts on our planet. Think of the worst possible scenarios — tsunamis, extinctions, disease outbreaks, fires, droughts, famines, earthquakes, volcanic eruptions, floods, and wars — they’re all in Wallace-Wells’ book.

The story of a former opera star who must by the will of Fate work as a Crocodile in a styrofoam costume entertaining children in the children’s playroom of a shopping centre. This kind of life seems joyless and even disgusting to the former leading tenor, and he vents his frustration by behaving rudely. Until one day, into his life enters a fateful woman and… a crocodile.

"Bathhouse" 　　The Gay Philippines 　　Amos Lassen and Cinema Pride 　　It seems that this month the Philippines is releasing a lot of gay movies. We have "Paper Dolls", "Circles" and now "Bathhouse". "Bathhouse" uses characters to tell the story of what gay life is in the Philippines. 　　Those of us that have experiences bathhouses know that they are places where we can go for sex with no inhibitions. You go in, take off your clothes, wrap a towel around your waist and indulge in hedonistic pleasure. The bathhouse is a world unto itself--a world of sex, sex and more sex. Words are seldom spoken and all it takes is a glance or a motion to initiate the most primal of our instincts. 　　While at the baths one night, Rico (Ray An Dulay), a young student and somewhat of a nerd, meets Chris (Jet Alcantara) and the chemistry between the two is like magic. Rico thinks he has found his Mr. Wonderful. Instead he finds himself on a path of cheating and envy with a little love thrown in for taste. Chris seems to love the baths more that he loves Rico. A bathhouse is not exactly the place one looks to find love. 　　"Bathhouse" shows the reality of what goes on in the gay underground known as "The Tubs". Rico, who looks like a youngish Jackie Chan, discovers that he is gay and joins the membership of the local bathhouse thinking that he will find both true love and himself there. The object of his admiration, Chris, is hunky and knows it and like most men that frequent bathhouses wants to share his body with as many men as he can. 　　I naturally assumed that a movie entitled "Bathhouse" would be about what goes on in a bathhouse but this movie was ore than that. Crisaldo Pablo, the director, goes a little further in depicting the gay scene of the Philippines. He also shows the real life of the people and the different ways that they meet--through the internet, at the public park, through ads, etc. It is an exciting picture of the islands and shows gay life there as we have not been privy to. 　　The acting and the cinematography are first rate but the story could have been developed a bit more. All in all, I liked the film a great deal and am glad that I got to see it and hope that all of you will watch it as well. It is always good to learn about gay life in other places and this movie gives an accurate picture of gay life in the Philippines. I did have one problem with the film and that is that after Rico left his parents, he did not go looking for a job but somehow he managed to have money to join the bathhouse and have a lot of sex without seemingly spending a penny. I just wonder if money is needed in the Philippines. AIDS was also not mentioned in the film and we do know that AIDS is a universal problem--bathhouses in the United States were closed because of AIDS but it seems to be not a problem in the Philippines.

"Bathhouse" 　　The Gay Philippines 　　Amos Lassen and Cinema Pride 　　It seems that this month the Philippines is releasing a lot of gay movies. We have "Paper Dolls", "Circles" and now "Bathhouse". "Bathhouse" uses characters to tell the story of what gay life is in the Philippines. 　　Those of us that have experiences bathhouses know that they are places where we can go for sex with no inhibitions. You go in, take off your clothes, wrap a towel around your waist and indulge in hedonistic pleasure. The bathhouse is a world unto itself--a world of sex, sex and more sex. Words are seldom spoken and all it takes is a glance or a motion to initiate the most primal of our instincts. 　　While at the baths one night, Rico (Ray An Dulay), a young student and somewhat of a nerd, meets Chris (Jet Alcantara) and the chemistry between the two is like magic. Rico thinks he has found his Mr. Wonderful. Instead he finds himself on a path of cheating and envy with a little love thrown in for taste. Chris seems to love the baths more that he loves Rico. A bathhouse is not exactly the place one looks to find love. 　　"Bathhouse" shows the reality of what goes on in the gay underground known as "The Tubs". Rico, who looks like a youngish Jackie Chan, discovers that he is gay and joins the membership of the local bathhouse thinking that he will find both true love and himself there. The object of his admiration, Chris, is hunky and knows it and like most men that frequent bathhouses wants to share his body with as many men as he can. 　　I naturally assumed that a movie entitled "Bathhouse" would be about what goes on in a bathhouse but this movie was ore than that. Crisaldo Pablo, the director, goes a little further in depicting the gay scene of the Philippines. He also shows the real life of the people and the different ways that they meet--through the internet, at the public park, through ads, etc. It is an exciting picture of the islands and shows gay life there as we have not been privy to. 　　The acting and the cinematography are first rate but the story could have been developed a bit more. All in all, I liked the film a great deal and am glad that I got to see it and hope that all of you will watch it as well. It is always good to learn about gay life in other places and this movie gives an accurate picture of gay life in the Philippines. I did have one problem with the film and that is that after Rico left his parents, he did not go looking for a job but somehow he managed to have money to join the bathhouse and have a lot of sex without seemingly spending a penny. I just wonder if money is needed in the Philippines. AIDS was also not mentioned in the film and we do know that AIDS is a universal problem--bathhouses in the United States were closed because of AIDS but it seems to be not a problem in the Philippines.

羽仁進監督の'54年作品『教室の子供たち　～学習指導への道』をスカパーの日本映画専門チャンネルで見ました。 　　家を出て学校へ向かう小学生の男子。町の俯瞰移動で学校へ。タイトル。「私の勤めている小学校は周りを町工場に囲まれています」というナレーション。次々と登校してくる子供たち。先生が来る前に、教室で遊ぶ小学二年生。若い実習生を従えて教室に入ってきた先生（ナレーションの話し手）は、今日の授業を実習生がやることを生徒に伝えます。立って挨拶する子供たち。実習生は一生懸命に話しかけますが、その話を聞こうとせず横や後ろを向く子供たち。教員室に戻って、自分の経験を実習生に話す先生。男の先生の話を萎縮して聞く子供たちの姿に、そういう授業はしなくないと語るナレーションがかぶさります。身体検査の風景に、体の成長と子供の生活態度に関係があるというナレーション。一人一人の生徒の名前を挙げながら、その生徒の生活態度が語られていきます。知能検査の風景。黒板に回答を書く子供。答えを見合う子供。給食当番の仕事ぶり。他の子に自分が見て来た映画の話を熱心にする女の子。手紙の書き方の授業風景。消極的な青木くん、西山さん、谷川さんを気にかける先生。休み時間を一人で過ごす谷川さん。彼女の家を家庭訪問する先生。西山さんの家は昼間両親がいず、学校では見られないのびのびとした姿で近所の子と遊び、青木くんも父との二人暮しであることが語られます。グループ活動の風景。勉強はできますが協調性はない子。うまくいっているグループの中で、熱心に作業をする青木くんと、仲間に次第に打ち解けていく谷川さん。一日の授業を終えて生徒の答案を見ながら、生徒一人一人の個性を感じる先生。合奏をする子供たちの風景に、子供たちの個性をこれからも伸ばしていきたいと語る先生のナレーションがかぶり、映画は終わります。 　　40分足らずのドキュメンタリーでしたが、その年のキネ旬３位を得るなど、非常に高い評価を受けた映画であり、山田宏一さんの批評でも名前が出て来る映画です。当時これほど子供の姿を生き生きと捕えた映画は珍しかったのでしょう。今見ても新鮮な映画です。