该剧改编自Twentine的同名小说。 　　朱韵（张婧仪 饰）刚开始大学生活，就被“坏小子”李峋（陈飞宇 饰）的闯入彻底颠覆了世界。被朱韵当成不学无术富家子的他，真实身份竟是学校破格录取的特招生，难得一见的编程天才。两人在几次交锋后，对彼此都有些赏识。学长方志靖对朱韵多次刁难 ，李峋出手维护朱韵，还邀她加入了自己组建的备赛队伍，代表学校赢得了重大编程比赛。在相处中，两人之间逐渐萌生了爱情，并且不顾家庭的差异，勇敢地走到了一起。两人情感日益升温，创业计划也接近成功之时，方志靖间接致使李峋姐姐出了车祸，李峋悲伤冲动之下打伤了方志靖被判入狱。面对出狱后再次陷入谷底的李峋，朱韵始终不离不弃，帮助李峋一路逆转，在商业竞争中狠狠击败了对手方志靖和高见鸿，也收回了原本属于李峋的公司。最终，朱韵毫无保留的付出，让李峋终于跨越了家庭带来的伤痛，学会了敞开心扉，拥抱属于自己的爱。

该剧改编自Twentine的同名小说。朱韵（张婧仪 饰）刚开始大学生活，就被“坏小子”李峋（陈飞宇 饰）的闯入彻底颠覆了世界。被朱韵当成不学无术富家子…

乔毅然因为妹妹的顽皮行为而遭遇车祸，导致失去双腿。由于不忍心看着家人为自己伤心，他带着悲伤的情绪独自出门，在路上遇到了好心的房东夫妻，被他们收留。在与房东女儿苏曼的接触中，双方互生好感。乔毅然偶然看到了一个叫叶小晴的男孩，发现他不愿意说话，害怕与人接触。在苏曼的帮助下得知叶小晴的遭遇后，乔毅然决定帮助他。然而，叶小晴的妈妈并不领情，将他送回老家。 　　苏曼的追求者韩辉以苏曼未婚夫的身份来羞辱乔毅然，导致他黯然神伤的离开。尽管如此，乔毅然并没有放弃希望，辗转多地寻找叶小晴的下落。在寻找的过程中，乔毅然看到了世界残奥会冠军姚娟的报道，心中升起一种希望。苏曼帮助他联系上了姚娟，在姚娟的帮助下，他们顺利找到了叶小晴并给予了救助。然而，在特殊教育学校的舞台上，叶小晴突然晕倒。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.