该片参加2020年贾樟柯艺术中心第四届86358短片电影节特别展映 　　该片导演拍摄的电影《海上城市》2018年8月曾荣获洛迦诺电影节生命迹象单元最佳影片

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

A stern, raw, one breath-timing journey, and the even darker conclusion. One picture, three women, so many sorrow - after all the unsolvable mystery. It's more than a film, more than an work of art, it's just like a poem without words, something incomprehensible, something personal called life. I saw this film 10 years ago, and I still remember it, because it's so powerful and awesome. That's why I really love the art movies, i'ts timeless, worthy and beautiful. The director was inspired by a photo, and he makes a whole world not with colors, but passion. Grab it,check it, and go over again and again......

A stern, raw, one breath-timing journey, and the even darker conclusion. One picture, three women, so many sorrow - after all the unsolvable mystery. It's more than a film, more than an work of art, it's just like a poem without words, something incomprehensible, something personal called life. I saw this film 10 years ago, and I still remember it, because it's so powerful and awesome. That's why I really love the art movies, i'ts timeless, worthy and beautiful. The director was inspired by a photo, and he makes a whole world not with colors, but passion. Grab it,check it, and go over again and again......

皮克斯发布“SparkShorts”计划动画短片合集预告。包括[毛线球布尔]、[粉碎与掠夺]、[小野猫与斗牛犬]、[漂浮](Float，暂译)、[循环](Loop，暂译)、[风](Wind，暂译)六部短片。 　　这部是一个亚裔的亲情故事，奶奶和一个小男孩的科幻故事，没有对白，非常的残酷。

自远而近，传来了风的呜咽。愁云乱滚的窗外，树叶无根无系，随风飘荡。一个消瘦的男人从画面的右方出现，他顶着狂风前进，可是过于强大的风力让他根本无法站立。他时而被吹得倒退回去，时而将身躯俯成极低的角度蹒跚。然而总在不经意间失去控制，狼狈非常地滚来滚去。仿佛跌入了一个错乱的时空黑洞，他沿着同一个方向滚出滚入。而就在此时，一个小女孩则灵巧地走入画面，她仿佛全然不会受到风的影响，很漫不经心地走到最左边，关上了门。那一刻狂风戛然而止……

《风》一片中，自然的力量摧毁了一个娇小的年轻的女人（吉斯饰），她被困于一间处于风沙侵袭之中的沙漠小屋。通过电影拍摄技术和吉斯的表演，风成功地被表现为宇宙中曾经对脆弱的人性实施暴虐的一切力量的象征。而当面对一个野蛮男人的袭击时，看似单纯而脆弱的吉斯显示了她个性中勇敢与反抗的一面。