Clipper ships taking the shortest route between the Mississippi and the Atlantic often end up on the shoals of Key West in the 1840s. Salvaging the ships' cargos has become a lucrative business for two companies--one headed by a feisty young woman. Then she falls in love with the captain of a wrecked ship while he recuperates at her home. She travels to Charleston and is charming to the man most likely to be head of the captain's company, thinking she will be able to get the captain the position he wants on the company's first steam ship.

分手六年，温书缈出差时跟初恋谢劲重逢，以为不会再心动，可见了他偏全然乱了分寸，一个以为早恨透了她却又一次为她放低姿态，六年时间，彼此消磨不掉的只有内心那股灼热的爱，两人互相折磨又相互救赎，终破镜重圆。

分手六年，温书缈出差时跟初恋谢劲重逢，以为不会再心动，可见了他偏全然乱了分寸，一个以为早恨透了她却又一次为她放低姿态，六年时间，彼此消磨不掉的只有内心那股灼热的爱，两人互相折磨又相互救赎，终破镜重圆。

For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

"末世尸变，陈朔拼尽全力护送女友林小雨与队友前往最后一批救援车。可竹马陆云野的 “牺牲”，成了扎在林小雨心中的刺。她偏执地将所有怨恨倾泻在陈朔身上，亲手将他推向死亡深渊。重生归来，陈朔带着复仇的决心，在腥风血雨中抽丝剥茧，让林小雨逐步看清陆云野伪善面具下，那令人胆寒的丑恶真面目……"

荣欣出差回家发现丈夫赵云生出轨，还得知他与情妇齐小月为了钱想要杀了自己。于是她找上女儿重病急需用钱的殷绍钧，以金钱为筹码让他跟自己合作。荣欣布局引诱齐小月上钩，同时安排殷绍钧暗中取证，还召集视财如命的赵家人施压让赵云生签下净身出户协议并指认齐小月入室抢劫、恶意伤害。荣欣离婚后又让殷绍钧举报赵云生诬陷齐小月一事，将赵云生抓捕入狱。三年后，赵家人再次报复，荣欣和殷绍钧将计就计，让其自食恶果再次入狱。

苏珊娜（Julia Richter 饰）在一家食品店工作，老板艾勒克是一个心地善良对员工十分宽容的老头，不幸的是，某一天，他突然去世了。接手食品店的，是艾勒克的儿子克里斯蒂安（约翰内斯·波兰特 Johannes Brandrup 饰），这个男人野心勃勃而又冷酷自私，刚刚上任没多久，就提出要对食品店的经营模式来一次彻彻底底的改革，这让苏珊娜的心里非常不爽，因此屡屡和克里斯蒂安产生矛盾。 　　苏珊娜的妹妹是一名电话接线员，因为受伤而暂时无法工作，无奈之下，苏珊娜只得暂时代替她上班。没想到，苏珊娜竟然和自己电话那头的客户产生了感情，每一天，他们都通过电话线互诉衷肠。

苏珊娜（Julia Richter 饰）在一家食品店工作，老板艾勒克是一个心地善良对员工十分宽容的老头，不幸的是，某一天，他突然去世了。接手食品店的，是艾勒克的儿子克里斯蒂安（约翰内斯·波兰特 Johannes Brandrup 饰），这个男人野心勃勃而又冷酷自私，刚刚上任没多久，就提出要对食品店的经营模式来一次彻彻底底的改革，这让苏珊娜的心里非常不爽，因此屡屡和克里斯蒂安产生矛盾。 　　苏珊娜的妹妹是一名电话接线员，因为受伤而暂时无法工作，无奈之下，苏珊娜只得暂时代替她上班。没想到，苏珊娜竟然和自己电话那头的客户产生了感情，每一天，他们都通过电话线互诉衷肠。