四十出头的克莱尔·安德里厄是个天性阳光、人见人爱的单身女人，直到相熟客户布鲁诺邀请她共进晚餐时，潜藏心底的重大秘密开始浮上水面。法国导演奥利维尔·亚罕对其2015年拍摄的轻喜剧《沙之堡》中一个毫不起眼的小角色克莱尔深入挖掘，从而衍生出全新故事线。影片延续了亚罕诗意、浪漫、幽默的法式风格，表现隐藏在温柔女主时而爆发的疯狂行为背后的可怕创伤，以及她是如何自洽摆脱困境的心路历程。

Emily is an elementary school teacher in a small rural town. She teaches as a way to fill the void of not being able to have her own children. However, Emily uses this position to push her own agenda forward onto young impressionable minds: white supremacy. As the day unfolds in real time, Emily attends the inaugural club meeting of 'Daughters for Aryan Unity', which she organized. In this meeting, Emily indoctrinates this group of alt-right women and galvanizes them into action. They all decide to continue the meeting at Emily's house over wine. Stopping at the local store to pick up refreshments, an altercation breaks out between two mixed raced Asian sisters and the club.

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

Between alcohol, dreams and depression, two declining actresses play out the comedy of everyday life in a flat, under the gaze of stars of yesteryear. Theatre and life mingle to the point of madness. 　　源自：https://fidmarseille.org/en/film/femmes-femmes/

Between alcohol, dreams and depression, two declining actresses play out the comedy of everyday life in a flat, under the gaze of stars of yesteryear. Theatre and life mingle to the point of madness. 　　源自：https://fidmarseille.org/en/film/femmes-femmes/

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？

霍家养女霍司念为救孤儿院被迫联姻顾氏家族私生子顾北琛，却误上其侄子顾九辞的车发生纠葛。顾九辞认出她是童年初恋，强势追爱，霍司念因孤儿院左右为难。最终霍司念与顾九辞相认，揭穿顾北琛罪行，有情人终成眷属。

林以柔为了救许志安瞎了眼，在怀孕期间恢复视力时却发现许志安出轨了保姆苏小美。林以柔开始收集许志安的出轨证据，在许志安任职总经理仪式上，以林氏集团新董事长的身份打脸许志安，最后实现家庭主妇的自我觉醒。