龙在天为凑齐妹妹的手术费，甘愿入赘杨家当上门女婿，却受尽丈母娘的呼来喝去、妻子的当面出轨羞辱，连客户都逼迫他钻裤裆下跪。他为妹妹一再隐忍，可妹妹终究不治身亡。痛失至亲的龙在天彻底爆发，觉醒轩辕天尊真身，不再忍让分毫，以雷霆手段横扫所有欺辱过他的人。敢爱敢恨的胡潇潇被他的英雄气概深深吸引，主动追随左右，两人携手谱写 “天尊归来，快意恩仇” 的爽剧传奇。

乘风 18 岁时发现一款休闲游戏竟是真实修仙世界，游戏里的小人奉他为 “老祖宗”，现实与游戏物品可双向互通。 游戏中唯一子孙是奴隶，乘风为其赐姓 “乘”、取名 “乘大龙”，还投送《炼气士修行手册》，助他开启修仙之路。 家族遭遇野猪王袭击、十年大旱等危机，乘大龙凭修炼实力和乘风的庇佑化解；过程中还收服妖兽铁林马作为坐骑，家族实力稳步提升。主角乘风意外绑定一款真实修仙世界的 “家族模拟器”，以 “老祖宗” 身份操控子孙发展修仙家族 乘风 18 岁时发现一款休闲游戏竟是真实修仙世界，游戏里的小人奉他为 “老祖宗”，现实与游戏物品可双向互通。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？