林夏为了前男友的手术费被迫嫁给傅氏集团继承人傅宴深，答应给他生个孩子就离婚，在两年的相处间感情渐深，她却意外发现原来的最初在一起的原因是一场精心设计的阴谋。

精明的商人来到一个小岛，向当地土著兜售他们先前见所未见的种类繁多的项链、衣服、帽子和鞋子，这些色彩斑斓的宝贝令土著的双目久久盯视不放，可也仅是拼命睁大眼睛瞧个仔细。 　　一支口红让女酋长发现自己原来还可以更美丽，迫不及待地又用新衣、新鞋、新帽和项链把自己包装，她的举动被全岛居民效仿，商人赚了个盆满钵满。土著原用来装扮自己的物件——各种动物的皮毛、骨骼等——则被他们随便丢弃在了地上，变成一堆“残骸”。它们又成了各种失去关键身体部分的动物包装自己的武器。

精明的商人来到一个小岛，向当地土著兜售他们先前见所未见的种类繁多的项链、衣服、帽子和鞋子，这些色彩斑斓的宝贝令土著的双目久久盯视不放，可也仅是拼命睁大眼睛瞧个仔细。 　　一支口红让女酋长发现自己原来还可以更美丽，迫不及待地又用新衣、新鞋、新帽和项链把自己包装，她的举动被全岛居民效仿，商人赚了个盆满钵满。土著原用来装扮自己的物件——各种动物的皮毛、骨骼等——则被他们随便丢弃在了地上，变成一堆“残骸”。它们又成了各种失去关键身体部分的动物包装自己的武器。

http://www.ilsasss.com/forum.php?mod=viewthread&tid=1414&extra=page%3D1

http://www.ilsasss.com/forum.php?mod=viewthread&tid=1414&extra=page%3D1

男子意外穿越，竟降临至斗罗大陆，还重生为唐三大哥。他惊喜地发现自己开启了“唐三气运掠夺系统”。凭借系统，他成功吸收了万年蓝银皇魂骨，实力大增。并夺取了小舞作为他的主要伴侣，同时夺取了海神的继承权和修罗神的神位，最终飞升神界。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.