This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

《偏执大佬总想独占我》是一部融合了复仇与霸总元素的短剧，吸引了大量观众的兴趣。这部剧聚焦于一位女性主人公的旅程，她背负着为妹妹复仇的使命，毅然决定接近那位神秘而强大的男主角，甘愿在对方精心布局的棋局中充当一颗棋子。随着剧情的深入，男主角对她产生了真挚的感情，但这份情感遭遇了女主角因长期策划复仇而形成的戒备和不信任，使得两人的情感之路布满荆棘。 　　剧中情节设计紧密，情感波动剧烈，人物关系错综复杂。女主角在复仇征途上，不慎落入一位表面绅士实则心机重重的“绿茶”男二号的算计中，这不仅让她处于不利境地，也让她的复仇计划增添了几分未知。重生与复仇的主线不仅推动了故事的快节奏发展，更深刻探讨了女主角在爱与恨的夹缝中寻求平衡、做出抉择的心路历程。

时晚前世按照爷爷的安排，嫁给患有狂躁症的傅霆琛，时晚最开始很抵触傳霆琛，直到死的时候，时晚终于看清楚傅霆琛对自己的爱意，也认清舅舅沈光华的真面目。重生归来，时晚做出了与前世截然相反的选择，她要让傅霆琛重新爱上自己。