镇北将军祁君倾心皇帝李胤宸，却奉旨嫁给其表弟梁意，以主母身份整顿梁府这一外戚势力。新婚夜她凭圣旨与私兵掌控梁府，整治纨绔、追查逆党，意外发现夫君爱妾是罪臣之女，且梁伯与帝师沈行知勾结谋反。祁君暗中搜集证据，助李胤宸粉碎谋逆阴谋。事后两人和离，七夕灯会共度后，祁君拒绝后宫之位，坚守边关守护百姓，选择以将军之身实现自我价值，将儿女情长暂放一旁，奔赴属于自己的人生征途。

田乃內家是新瀉龜田的大地主，因為獨生子意造(鹿賀丈史飾)娶妻賀穗，賀穗嫁入田乃內家後，陸續生了八胎，不是死胎就是夭折，,好不容易產下一名健康的女嬰，希望她能不輸給風雪勇敢活下去，所以意造將她取名為阿烈(松隆子飾). 賀穗(高橋惠子飾)生下阿烈(松隆子飾)以後因為身體很差，所以便拜託還未出嫁的妹妹佐穗(檀文飾)來照顧阿烈，佐穗從年輕時就暗戀意造(鹿賀丈史飾),雖然無法與他結為夫妻，不過只要在他身邊就讓佐穗感到心滿意足，所以佐穗也非常願意去照顧阿烈，在佐穗的細心照顧下，阿烈順利長大，而且與佐穗非常親近，完全離不開佐穗。 　　阿烈(松隆子飾)這位美麗而且備受寵愛的酒廠千金，從小就知道自己總有一天眼睛將會失明，當她長大眼睛完全看不到的時候，他卻已無比堅強的毅力在傳統的家庭裡，與命運搏鬥，她不願與命運妥協，爭取要從父親手中接掌事業，並與階級不同的長工涼太相戀，雙目失明的阿烈能戰勝命運嗎？

田乃內家是新瀉龜田的大地主，因為獨生子意造(鹿賀丈史飾)娶妻賀穗，賀穗嫁入田乃內家後，陸續生了八胎，不是死胎就是夭折，,好不容易產下一名健康的女嬰，希望她能不輸給風雪勇敢活下去，所以意造將她取名為阿烈(松隆子飾). 賀穗(高橋惠子飾)生下阿烈(松隆子飾)以後因為身體很差，所以便拜託還未出嫁的妹妹佐穗(檀文飾)來照顧阿烈，佐穗從年輕時就暗戀意造(鹿賀丈史飾),雖然無法與他結為夫妻，不過只要在他身邊就讓佐穗感到心滿意足，所以佐穗也非常願意去照顧阿烈，在佐穗的細心照顧下，阿烈順利長大，而且與佐穗非常親近，完全離不開佐穗。 　　阿烈(松隆子飾)這位美麗而且備受寵愛的酒廠千金，從小就知道自己總有一天眼睛將會失明，當她長大眼睛完全看不到的時候，他卻已無比堅強的毅力在傳統的家庭裡，與命運搏鬥，她不願與命運妥協，爭取要從父親手中接掌事業，並與階級不同的長工涼太相戀，雙目失明的阿烈能戰勝命運嗎？

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

你一句，我一句，两句话是人与人产生交流的最小单位，而人与人的交流，是一切社会活动的起点。这个专场诞生已经是好几年前的事情了，录制日期距今也一年有余，但今日回头看，它还是那么禁得住品，它是喜剧老炮、东北文青宁家宇与愿意与他共振的观众们，掏心窝子的一次交流。

本片根据上世纪九十年代在西藏发生的真实故事改编。 在内地工作的护士向丽想念在阿里服役的丈夫，于是相约同为军嫂的何蓉和张新霞一同前往西藏探亲。毫无准备的三人踏上西藏最艰苦的一段路，这段路又被叫做“大北线”。一路上艰险险阻，困难重重。她们搭着民工和货物混装的货车颠簸前行，经历坏车和死亡的变故，被车老板抛弃在小镇。她们和牧民司机挤在驾驶室里深入无人之境，跨越悬崖和冰河。在粗犷豪放的藏北民风感染下，她们逐渐接受并喜欢上了这个离天最近的地方。然而，在即将到达目的地的时候，一次冲动的选择让她们陷入了绝境……