Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

一个名叫Maraz的孤儿与一个名叫Ceylan的年轻姑娘深深相爱，他们虽然贫穷，但对未来充满了憧憬：两人计划着认真工作攒钱结婚，开始新生活。然而Ceylan却被一个嚣张跋扈的富少爷Taylan盯上了…

一个名叫Maraz的孤儿与一个名叫Ceylan的年轻姑娘深深相爱，他们虽然贫穷，但对未来充满了憧憬：两人计划着认真工作攒钱结婚，开始新生活。然而Ceylan却被一个嚣张跋扈的富少爷Taylan盯上了…

三个朋友徒步前往珠穆朗玛峰大本营。当他们与身体的局限作斗争并发现自由的真正含义时，一次简单的跋涉变成了一次个人的、情感的和精神的旅程。

西碧勒（维吉妮·艾菲拉 Virginie Efira 饰）曾经是一名心理医生，却因为实在是太过于热爱文学创作，而最终选择放弃做医生，一心扑到了写小说上。一次偶然中，西碧勒邂逅了名为玛格特（阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰）的女子，玛格 特是一名女演员，正身处于情感纠纷之中无法自拔。 　　玛格特参演了一部电影，却怀上了男主演伊戈尔（加斯帕德·尤利尔 Gaspard Ulliel 饰）的孩子，而伊戈尔和这部戏的导演是情侣关系。这段复杂的三角恋让玛格特痛苦无比，对西碧勒掏心掏肺，而西碧勒则偷偷录下了两人的谈话，作为创作小说的灵感。

西碧勒（维吉妮·艾菲拉 Virginie Efira 饰）曾经是一名心理医生，却因为实在是太过于热爱文学创作，而最终选择放弃做医生，一心扑到了写小说上。一次偶然中，西碧勒邂逅了名为玛格特（阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰）的女子，玛格 特是一名女演员，正身处于情感纠纷之中无法自拔。 　　玛格特参演了一部电影，却怀上了男主演伊戈尔（加斯帕德·尤利尔 Gaspard Ulliel 饰）的孩子，而伊戈尔和这部戏的导演是情侣关系。这段复杂的三角恋让玛格特痛苦无比，对西碧勒掏心掏肺，而西碧勒则偷偷录下了两人的谈话，作为创作小说的灵感。

Öznur is a young and beautiful woman. She has had a platonic love since childhood to Kudret, who is her cousin. Kudret, however, is married to a woman named Nisa and is very happy. Jealous, Öznur uses terrible black magic to change this so that she and Kudret will be together. However, she is not prepared for the evil that this spell unleashes.

《西阵》是松本俊夫于1961年拍摄的纪录短片，以京都西阵织布产区为题材，通过旁白与影像并置，展现传统织工与现代机械化生产之间的对比。影片节奏冷静，既是工艺记录，也是对时代变迁的思考。

年轻同志瑞奇，奉母亲之命。去法国西部农村，接独居的祖父来城里居住。当地民风保守仇视同性恋者，所以瑞奇虽然生长于当地，却绝少返乡探亲。 当回到家乡的瑞奇，故意收敛自己装作“正常人”时，他的两个同志好友却来拜访他，引起一阵骚乱……（http://www.kan84.net/bdhd/btFarWest2003.html）