三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 　　哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

在未来的北美洲大陆上，「世界彻底分裂」。七个巨头瓜分了所有的土地，他们和他们的私人武装对辖区实施独裁统治。未来没有枪支，没有火器。一个受训练﹑粗鲁，叫Sunny的战士（吴彦祖饰演），以及一个男孩M.K.（Aramis Knight），为找到教化一同踏上旅程。

To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

阿荣（苏查拉·玛娜英 Sushar Manaying 饰）是一位单纯而又善良的女孩，某日，她不巧目睹了深爱的男友背叛自己的场面，深受打击的她驾驶着汽车在马路上飞驰，因为车速太快而不慎遭遇了车祸，受伤的阿荣住进了医院。 　　在医院里，阿荣邂逅了名为阿伟（帕克恩·查博里拉克 Pakorn Chatborirak 饰）的医生，阿伟满脸写着冷漠，一看就很不好接近的样子，但正是由于这一点，反而吸引了大批的女孩前赴后继的想要接近他。阿伟和5岁的侄女小梅（安达·坤缇拉 Unda Kunteera 饰）之间的关系非常的好，然而一场意外竟然让阿荣和小梅的灵魂互换了身体。随着时间的推移，阿荣发现自己竟然渐渐的喜欢上了小梅。

阿荣（苏查拉·玛娜英 Sushar Manaying 饰）是一位单纯而又善良的女孩，某日，她不巧目睹了深爱的男友背叛自己的场面，深受打击的她驾驶着汽车在马路上飞驰，因为车速太快而不慎遭遇了车祸，受伤的阿荣住进了医院。 　　在医院里，阿荣邂逅了名为阿伟（帕克恩·查博里拉克 Pakorn Chatborirak 饰）的医生，阿伟满脸写着冷漠，一看就很不好接近的样子，但正是由于这一点，反而吸引了大批的女孩前赴后继的想要接近他。阿伟和5岁的侄女小梅（安达·坤缇拉 Unda Kunteera 饰）之间的关系非常的好，然而一场意外竟然让阿荣和小梅的灵魂互换了身体。随着时间的推移，阿荣发现自己竟然渐渐的喜欢上了小梅。

《潜息》以舞蹈影像的形式呈现人、身体与自然之间的流动关系。短片中，主角（易烊千玺）置身山林深处，在低伏的嗡鸣声中前行。群舞者以身体构成山、水、兽、林等自然形态，在运动中展现自然的生成、抗衡与拥抱。主角的身体在推拒与吸纳之间不断发生变化，既是探索者，也是被自然重塑的存在。