主角凌驾于法律之上。 他们是一群沉迷于犯罪活动的警察调查员。 但是，经验丰富的团队制定的正在实施的犯罪计划开始失败。 似乎有一个鼹鼠直接向 FSB 报告。 当 Pepl 发现自己处于危及生命的境地时，他第一次开始思考自己的存在。 一旦他开始认为他不能回到以前的自己。 团队开始怀疑他是内奸。 以前的同事变成了死敌。

海伦是个公关经理，与当小说家的男友杰瑞住在伦敦。原本看似美满的生活，却因她意外遭到革职，比平常早回家，而发生了意想不到的转变。 　　海伦走在伦敦的地铁站里，车子靠站时两种选择使她的人生走向不同的旅程： 　　(1)海伦错过了地铁，祸不单行的是她又遇到了抢劫而被送进医院；当她回到家时，杰瑞刚起床，正在洗澡…… 　　(2)海伦搭上了地铁，她身边坐着的陌生男子詹姆斯非常迷人，令她怦然心动。当她回到家时，意外地发现杰瑞和他的旧情人正躺在床上……

TvN独幕剧《请滑动解除监禁》讲述了叫做监狱的聊天室中，有一位遭受折磨的女中学生熙珠和接到了她的手机号码的平凡公司职员朱英，她们聊天室解体的故事。

一群大学生发现自己被卷入了一张充满欺骗和勒索的网中。他们梦想创建一个安全、免费的约会应用程序，灵感来自于他们的学长因网络犯罪而惨死。

《王者出击》衍生节目，通过与当期背景故事或拍摄场地相关的历史文化趣味知识题，由明星出题并解答，边看节目边涨知识，早日成为最强王者！

《王者出击》衍生节目，通过与当期背景故事或拍摄场地相关的历史文化趣味知识题，由明星出题并解答，边看节目边涨知识，早日成为最强王者！

张大剑意外穿越，来到物资匮乏的灾荒年代，成为一户贫苦人家的顶梁柱。面对家中老弱妇孺食不果腹的困境，他刚想设法谋生，便解锁了 “芳心系统”—— 只需绑定女性获得芳心值，就能参与抽奖换取生存物资与技能。 为让家人过上好日子，张大剑凭借系统偶尔抽中的捕猎技巧，进山打猎换取钱财与粮食，逐步改善家境。过程中，他结识了多位在灾荒中挣扎的女子，有被恶霸欺凌的孤女，有走投无路的寡妇，张大剑主动伸出援手，用实力护她们安稳。女子们被他的担当打动，纷纷与他绑定，助力他积累芳心值解锁更多能力，而张大剑也收纳她们组成大家庭，在乱世中撑起一片安稳天地 。

围绕主角陈宇的"因果反转"诅咒展开：他在高武世界中因被判定为"非法入侵者"，行为效果完全逆向——常规修炼会削弱实力，而消极行为反而能提升属性 陈宇需隐藏诅咒真相，避免被世界规则清除。他利用负面行为获取增益（如让鞭炮炸手以增加属性），同时应对身边人的关切，形成荒诞与危机交织的剧情探索诅咒背后的古代传说，并试图打破命运枷锁

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.