There’s a monster in the Nahuel Huapi Lake. In the twilight, it spreads itself out across the surface of the water like a taut cowhide, grasping at its victims with sharp claws. Another monster also lurks in the surroundings of the lake, which is close to Bariloche in the Argentine Andes. It is called Capa Negra: the Black Cape. It haunts the ski slopes by night and should be avoided at all costs. 　　Monsters from the legends of the Mapuche find their way into Manque La Banca’s feature-length debut Esquí via various twists and turns. Once there, they interact with the film’s other characters: elderly Austrians who claim to have brought the sport of skiing to Bariloche; skiers who shoot down the mountain in scenes made all the more breathtaking through generous use of slow motion and repeated stops and starts; the local residents of a poor neighbourhood, who take part of the direction of the film into their own hands; and finally the filmmaker himself, who points his hairy buttocks at the camera. Esquí is so precious because it marks the point where hipster dedication to form and the political consciousness of the woke generation start a beautiful friendship.

There’s a monster in the Nahuel Huapi Lake. In the twilight, it spreads itself out across the surface of the water like a taut cowhide, grasping at its victims with sharp claws. Another monster also lurks in the surroundings of the lake, which is close to Bariloche in the Argentine Andes. It is called Capa Negra: the Black Cape. It haunts the ski slopes by night and should be avoided at all costs. 　　Monsters from the legends of the Mapuche find their way into Manque La Banca’s feature-length debut Esquí via various twists and turns. Once there, they interact with the film’s other characters: elderly Austrians who claim to have brought the sport of skiing to Bariloche; skiers who shoot down the mountain in scenes made all the more breathtaking through generous use of slow motion and repeated stops and starts; the local residents of a poor neighbourhood, who take part of the direction of the film into their own hands; and finally the filmmaker himself, who points his hairy buttocks at the camera. Esquí is so precious because it marks the point where hipster dedication to form and the political consciousness of the woke generation start a beautiful friendship.

法国Annecy动画节的片头动画，短小精悍，妙趣横生。

年轻而性感的西莉亚·伯尼是一位意大利模特，她即将从她的美国叔叔那里继承一大笔钱。条件是她必须表现出一种特殊的道德行为。

在教练和监督员的陪同下，一群年轻学生第一次发现了冬季滑雪的乐趣--滑雪缆车在他们双腿之间那艰难下降的乐趣。白天虽然很冷，但在晚上随着男孩们从一个房间窜到另一个房间时，一切的温度都会上升。随波逐流就行了，更衣室里只会更热……甚至，连监督员也沉醉于这些年轻人的欲望下! 　　只有保守的书呆子在碍手碍脚，因为他不欣赏同龄人们一日反复一日的夜行狂欢--所以格格不入的他最终被同学们欺负了。当他哭着求救时，教练来到他的房间并勒令这些学生离开。为了保护年轻人不受他人伤害，教练决定邀请他进自己的房间里入睡。到了深夜年轻人却发现自己在熟睡的帅气教练面前无法入睡…… 　　就这样，滑雪训练营结课了。

故事从一桩谋杀案开始。在一个村子里，昌德鲁萨卡尔·格瓦达（Sharan饰）是一位领导人，其实也就是村里一些游手好闲以及无职业者自行拉拢起来的带有讽刺意味的一个组织。他都失恋10次了，第11次恋情是爱上一个高中老师。艾西瓦娅（Raksha饰）是村里德高望重的村长希瓦鲁德·格瓦达（Ravishankar饰）最小的女儿，也是昌德鲁暗恋的老师的学生。艾西瓦娅小小年纪就被迫和他爸爸选择的人结婚，因为她爸爸害怕他的女儿会跟男孩私奔而毁了他的名誉。昌德鲁得知消息前去警察局报案，由此会引起什么样的风波呢？谋杀案的真相究竟是怎样的？

The Svensson family goes on a ski-vacation during the winter holiday. Sune the family flirt girl-charmer is yet again pulled into a difficult relationship and his father Rudolf is pushed into difficulty parent challenges while the little brother Håkan is up to no good. The big sister being ashamed of her family and the mother Karin tries to glue the family together and enjoy their vacation.

本片将给你呈现前所未有的黄金时代情色艺术，让你血脉扩张的场景接连不断，这都归功于这些性感迷人女孩们的个人魅力以及表演才华，她们每一个人都在荧幕上留下了让人印象深刻的激情瞬间！

本片将给你呈现前所未有的黄金时代情色艺术，让你血脉扩张的场景接连不断，这都归功于这些性感迷人女孩们的个人魅力以及表演才华，她们每一个人都在荧幕上留下了让人印象深刻的激情瞬间！