In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

电影《贞子归来》由稻草人影业出品。剧情简介：电影贞子归来讲述抗日战争爆发前，两姐妹贞子和川子随父来到中国，并同时喜欢上一日本男生，出于嫉妒，姐姐川子将妹妹贞子闷死在木箱内，怨气化成厉鬼，多年之后，一学生无意中路过荒废的茅草屋，贞子的怨气投附到投影仪上被辗转带回城市，引发数件离奇死亡事件，一切矛头指向贞子，但其实投 影仪里还有另外一股怨气。

以当代少年儿童的家庭、学校生活及社会活动为主描写对象，通过一个个小故事展现现实生活中不良习惯、行为与中国优秀传统文化的矛盾冲突，让孔子“走近"现代生活用他的思想理念解决现实矛盾冲突，从而培养青少年美好品德和良好的学习、生活习惯。故事贴近青少年儿童的生活，生动、鲜活、即风趣幽默，又富有哲理性。

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

由林浩主演，讲述了一位太子在被二皇子陷害后，带着前世记忆复活，并以暴躁果敢的性格展开逆袭的故事。太子原本身份卑微，受尽欺辱，复活后凭借智慧和魄力，开设钱庄、酒肆，轻松赚钱，逐渐扭转乾坤，踏上皇位，实现权力与财富的双重掌控，剧情紧凑、环环相扣，兼具爽文元素和古装穿越设定，人物设定鲜明，主题突出“勇者无惧”

曾是滨江地下世界霸主、黑金集团掌舵人，为父报仇后金盆洗手，专注经营饭店 “百味居”。重情重义，对养子孙天阳、孙天放视如己出，甚至为他们的非法集资、偷税漏税行为顶罪入狱五年。出狱后遭遇养子背叛、女婿家暴女儿等多重打击，却始终保有底线与韧性。身份揭晓后重拾气场，既秉持江湖道义惩治恶人，又保留一丝仁慈，最终为女儿讨回公道，重掌黑金集团。

佐伊（托妮·科莱特 Toni Collette 饰）和亚力克（艾恩·格拉法德 Ioan Gruffudd 饰）结婚多年，但是因为佐伊无法怀孕，所以两人迟迟都没有孩子，这成为了这个家庭一个无法愈合的伤口。夫妻两人来到领养机构登记，想要领养一个孩子，几天之后，一个名为伊莱（Maurice Cole 饰）的七岁小男孩带着他的行李箱敲响了佐伊家的房门。 　　就这样，伊莱成为了佐伊和亚力克的孩子，但是夫妻两人之间岌岌可危的关系却并没有因为伊莱的到来而有所缓和。聪明的伊莱察觉到了家庭里微妙的气氛，于是开始着手修复养父母之间的关系。在伊莱的调解之下，佐伊和亚力克消解了心结，但之后他们发现，伊莱的身份并没有他们想象的那么简单。

塞玛与丈夫和两个儿子同住在马尼拉的贫民区里，他们的日子不算好过。但好心的她却肩负起暂时照顾遗弃孤儿的重责大任，直到有人来领养他们为止。电影从白天开始拍起，镜头在-狭小、混乱又拥挤的巷弄中穿梭，呈现塞玛的一天。看似平凡无波的寻常生活，却渐渐抽丝剥茧地透露出塞玛心中的不安与焦虑，因为今天是她照顾许久的三岁男孩强强，要送去给美-国人领养的大日子，也是她和他相处的最后一天。不是真正的血脉关系，却象是不忍割舍的骨肉分离。曼多萨再度以几近纪录片镜头跟拍的写实美学，透过女主角从平淡压抑、刻意隐忍，渐渐转至最后情绪崩塌的细腻过程，深刻地拍-出了一个女人的人性与母爱，也赤裸裸地直接把菲律宾贫民区生活的现况，曝露在镜头之前。

新王妃携子归来王爷宠翻了