本雅明在《机械复制时代的艺术作品》中提到“即使是最完美的复制也总是少了一样东西：那就是艺术作品的‘此时此地’”。汽车作为机械复制时代下的典型产物，其灵韵悖论性地根植于驾驶实践。此时此地，汽车在沥青路面上留下胎痕的印记，其中便蕴藏着驾驶的灵韵。

本雅明在《机械复制时代的艺术作品》中提到“即使是最完美的复制也总是少了一样东西：那就是艺术作品的‘此时此地’”。汽车作为机械复制时代下的典型产物，其灵韵悖论性地根植于驾驶实践。此时此地，汽车在沥青路面上留下胎痕的印记，其中便蕴藏着驾驶的灵韵。

After fleeing civil war in Liberia, a formerly-privileged refugee is barely scraping by in her new life in Greece when she strikes up an unexpected friendship with a rootless tour guide.

In cars at night, drivers and passagers share their thoughts about the representation of Black bodies in France. Jérémie Danon and Kiddy Smile bring together personalities from diverse backgrounds, allowing them to share their personal experience.

A young father has the ability of teleportation but can't go very far without using water as fuel.

Daniel turns 20 and has the night in his life that will redefine who he is, his future and his moral self.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

When his estranged son vanishes during a space mission, a once-legendary, now fallen from grace shuttle commander is pulled into a high-stakes hostage exchange in space to get his boy back from captors who are not from Earth.

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