Working with non-actors and a script sourced from excerpted plays, memoirs, and letters penned by political prisoners, Galician filmmaker Eloy Enciso explores the mood and texture of life in Franco-era Spain in the materialist tradition of Straub-Huillet and Pedro Costa. 　　Taking its title from the expression longa noite de pedra ("long night of stone"), which was coined by the poet Celso E. Ferreiro to describe the lengthy period of dictatorship after the Spanish Civil War, the third feature by Galician filmmaker Eloy Enciso explores the postguerra mood and the texture of life in Franco-era Spain by way of unconventional portraiture, the power of words, and stunning atmospheric immersion. Working with non-actors and a script sourced from excerpts of plays, memoirs, and letters from political prisoners, Enciso portrays a variety of characters — both victors and vanquished — as they negotiate a newly reordered society. 　　At the film's shifting centre is Anxo (Misha Bies Golas), who returns home to his unnamed village in the years following the war, his interactions with individuals wielding varying levels of power serving to cast the cruelty of the modern world into stark relief. As he moves through the town, and eventually into the surrounding arboreal landscape, the already muted mood turns towards the mournful as the film approaches its quietly grand finale. 　　Following in the materialist tradition of Straub-Huillet and Pedro Costa, Enciso continues to explore themes that preoccupied him in his earlier work: the human presence in the landscape (specifically, the forest as a container of popular history), the cultural and geographic specificity of Galicia, the search for musicality in language, and the intertwining of history, fact, and fiction. 　　Proceeding dreamily through its elliptical, day-to-night structure, Longa noite is a nocturne of ferocity and resistance, a strange and stirring indictment of fascism that employs beautifully cryptic methods to combat oblivion.

Working with non-actors and a script sourced from excerpted plays, memoirs, and letters penned by political prisoners, Galician filmmaker Eloy Enciso explores the mood and texture of life in Franco-era Spain in the materialist tradition of Straub-Huillet and Pedro Costa. 　　Taking its title from the expression longa noite de pedra ("long night of stone"), which was coined by the poet Celso E. Ferreiro to describe the lengthy period of dictatorship after the Spanish Civil War, the third feature by Galician filmmaker Eloy Enciso explores the postguerra mood and the texture of life in Franco-era Spain by way of unconventional portraiture, the power of words, and stunning atmospheric immersion. Working with non-actors and a script sourced from excerpts of plays, memoirs, and letters from political prisoners, Enciso portrays a variety of characters — both victors and vanquished — as they negotiate a newly reordered society. 　　At the film's shifting centre is Anxo (Misha Bies Golas), who returns home to his unnamed village in the years following the war, his interactions with individuals wielding varying levels of power serving to cast the cruelty of the modern world into stark relief. As he moves through the town, and eventually into the surrounding arboreal landscape, the already muted mood turns towards the mournful as the film approaches its quietly grand finale. 　　Following in the materialist tradition of Straub-Huillet and Pedro Costa, Enciso continues to explore themes that preoccupied him in his earlier work: the human presence in the landscape (specifically, the forest as a container of popular history), the cultural and geographic specificity of Galicia, the search for musicality in language, and the intertwining of history, fact, and fiction. 　　Proceeding dreamily through its elliptical, day-to-night structure, Longa noite is a nocturne of ferocity and resistance, a strange and stirring indictment of fascism that employs beautifully cryptic methods to combat oblivion.

A beautiful woman turns to prostitution. She must surrender her income to the leader of a human trafficking ring, but her daughter’s illness and a drug addiction prevents her from delivering her usual share. 　　An unexpected event will give her the opportunity to stop obeying and take justice into her own hands.

故事讲述了一座横跨近20年历史的北方小城——“桦林“里几个家庭发生的一系列意外故事。

少年时代的立冬（张鲁一 饰）曾爱慕过一位叫阿川（倪妮 饰）的女子，但在某一天阿川的突然失踪成为了他十几年解不开的心结。为一解思念，立冬与哥哥立春…

少年时代的立冬（张鲁一 饰）曾爱慕过一位叫阿川（倪妮 饰）的女子，但在某一天阿川的突然失踪成为了他十几年解不开的心结。为一解思念，立冬与哥哥立春（辛柏青 饰）去到与阿川同名的柳川，只为再见她一面。随着他们的再次相遇，很多过去的故事的真相浮出水面，立冬也知晓了阿川当年离开的真正原因，而他对阿川深藏的爱，却在这场远赴“她”乡的深情告白中愈演愈烈……

继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。 　　《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。 　　本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief: The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为"约克郡开膛手"的Peter Sutcliffe的追捕。 　　在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。 　　该剧不会仅仅着墨于警方的工作，还会聚焦受害者和他们的家属，以及那些被袭击却不被他人相信、生活被永久改变的人们。编剧George Kay表示："这不是一个讲述约克郡开膛手的故事，而是约克郡如何被撕裂的故事。"

继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。 　　《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。 　　本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief: The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为"约克郡开膛手"的Peter Sutcliffe的追捕。 　　在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。 　　该剧不会仅仅着墨于警方的工作，还会聚焦受害者和他们的家属，以及那些被袭击却不被他人相信、生活被永久改变的人们。编剧George Kay表示："这不是一个讲述约克郡开膛手的故事，而是约克郡如何被撕裂的故事。"

叙利亚爆发战争后，约有九百万难民被迫离乡，其中很多人暂住到了黎巴嫩。然而恐怖组织ISIS夺权后，这批难民却再也回不去自己的家乡了。在这片小小的暂住地里，他们办起了学校，举行过婚礼，还上演着各种家庭纠纷剧。与此同时，居民们日常赖以生存的物资，还需要依靠公交大巴的运输来供给。.

叙利亚爆发战争后，约有九百万难民被迫离乡，其中很多人暂住到了黎巴嫩。然而恐怖组织ISIS夺权后，这批难民却再也回不去自己的家乡了。在这片小小的暂住地里，他们办起了学校，举行过婚礼，还上演着各种家庭纠纷剧。与此同时，居民们日常赖以生存的物资，还需要依靠公交大巴的运输来供给。.