在犯罪日趋多元化的今天，与之形成鲜明对比的是持续下降的逮捕率。为此，警视厅尝试引进民间调查员，使原则上被禁止的潜入调查成为可能。前搜查一课的刑警织部透（松田翔太 饰）拥有如照相机一般的超强记忆力和自如变换声线的能力。两年前因某起事件退职后，织部受雇于柳田所长（伊东四朗 饰）开设的侦探事务所。该事务所时常接受警视厅刑事部长岸森（远藤宪一 饰）的委托展开调查，而凭借自身卓越能力被称作“蜥蜴”的织部，成为该事务所乃至岸森最为得力的战将。 　　某日，鲁莽率真的望月香里（莲佛美沙子 饰）成为蜥蜴的助手。两个性格截然相反的侦探搭档，一次次潜入受调查对象的内部，揭开各种事件背后的真相……

在犯罪日趋多元化的今天，与之形成鲜明对比的是持续下降的逮捕率。为此，警视厅尝试引进民间调查员，使原则上被禁止的潜入调查成为可能。前搜查一课的刑警织部透（松田翔太 饰）拥有如照相机一般的超强记忆力和自如变换声线的能力。两年前因某起事件退职后，织部受雇于柳田所长（伊东四朗 饰）开设的侦探事务所。该事务所时常接受警视厅刑事部长岸森（远藤宪一 饰）的委托展开调查，而凭借自身卓越能力被称作“蜥蜴”的织部，成为该事务所乃至岸森最为得力的战将。 　　某日，鲁莽率真的望月香里（莲佛美沙子 饰）成为蜥蜴的助手。两个性格截然相反的侦探搭档，一次次潜入受调查对象的内部，揭开各种事件背后的真相……

天谷深雪（有村架纯 饰）的父亲是隶属于日本海洋研究开发机构JAMSTEC的科学家，他对海洋的无限热情感染了深雪，在父亲病逝之后，深雪继承了父亲的遗志，加入了潜水调查船“深海6500”驾驶员候补生的行列。如果深雪能够成功的登上深海6500，那么她将会是首位日本潜艇女驾驶员。 　　最终，在不懈的努力之下，深雪实现了她的梦想登上了潜艇，可就在这个节骨眼上，深雪在父亲的储物柜里发现了一盘神秘的录像带，录像带中记载了一种体型硕大的深海神秘生物，不仅如此，深雪还在录像带中发现了父亲的身影。一切都预示着，这将是一趟凶多吉少的旅行，深雪是否能够安全的归来呢？

天谷深雪（有村架纯 饰）的父亲是隶属于日本海洋研究开发机构JAMSTEC的科学家，他对海洋的无限热情感染了深雪，在父亲病逝之后，深雪继承了父亲的遗志，加入了潜水调查船“深海6500”驾驶员候补生的行列。如果深雪能够成功的登上深海6500，那么她将会是首位日本潜艇女驾驶员。 　　最终，在不懈的努力之下，深雪实现了她的梦想登上了潜艇，可就在这个节骨眼上，深雪在父亲的储物柜里发现了一盘神秘的录像带，录像带中记载了一种体型硕大的深海神秘生物，不仅如此，深雪还在录像带中发现了父亲的身影。一切都预示着，这将是一趟凶多吉少的旅行，深雪是否能够安全的归来呢？

As part of Harun Farocki's intense exploration of "intelligent" machines, the video shows how military image and control techniques successively seep into everyday life. With its stance between enlightenment and protest, this split-screen work stands for a widespread ambivalence at the end of the 1990s. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-9df12040-61d4-eb46-b7a5-ace30b302161

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.