The first of a trilogy of ‘dance’ films (followed by The Bamboo Flute and the as-yet unreleased Priye Charushile), Bhavantarana expands on some of the modes Shahani had first explored in Khayal Gatha. The dance form is the famous Odissi, a form in Orissa that emerged from an earlier folk mode typically performed by young boys. The dancer is one of India’s leading figures, Guru Kelucharan Mahapatra. The film begins with a traditional sculptor hewing a dancer’s image from a piece of stone that he holds down with his feet, expanding from there to links from dance to sculpture, and from folk to classical forms. While several dances come from Mahapatra’s traditional repertory, the finale – the spectacular Navarasa – is choreographed specially for the film.

潛水，被世人定義為高危活動之一；節目為了打破大家固有觀念，邀請了一般人認為他們不會去潛水的人士，包括：細膽的、身體肥胖的、沒有自信的，甚至是殘障的，由零開始去學習，過程之中看著他們互相扶持，如何克服自己的弱點，完成指定目標。

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