两个科学家通过特殊仪器可以观测到研究对象的梦境画面，某一日他们自己竟然出现在了其中一位病人的潜意识里。究竟哪边才是现实？如果这个人醒了，是不是两位科学家就会因此消失了？

两个科学家通过特殊仪器可以观测到研究对象的梦境画面，某一日他们自己竟然出现在了其中一位病人的潜意识里。究竟哪边才是现实？如果这个人醒了，是不是两位科学家就会因此消失了？

故事开始于1913年的巴塞罗那，艾玛（蕾欧诺·瓦特林 Leonor Watling 饰）挺着肚子正在准备迎接腹中新的生命，就在这个节骨眼上，她的丈夫里昂（阿莱克斯·布伦德穆尔 Alex Brendemühl 饰）竟然离家出走音信全无。在姐夫萨尔瓦多（路伊斯·托沙 Luis Tosar 饰）的帮助之下，艾玛开始调查里昂的去向。从后者留下的种种蛛丝马迹看来，一个神秘的女病人和里昂的失踪有着千丝万缕的关联。 　　在调查的过程中，萨尔瓦多还发现了自己的妻子奥利维亚（Núria Prims 饰）所隐藏的秘密，与此同时，萨尔瓦多深藏在心底的对于艾玛的爱意借由此次机会死灰复燃。而这一切，难道都是弗洛伊德的错吗？

故事开始于1913年的巴塞罗那，艾玛（蕾欧诺·瓦特林 Leonor Watling 饰）挺着肚子正在准备迎接腹中新的生命，就在这个节骨眼上，她的丈夫里昂（阿莱克斯·布伦德穆尔 Alex Brendemühl 饰）竟然离家出走音信全无。在姐夫萨尔瓦多（路伊斯·托沙 Luis Tosar 饰）的帮助之下，艾玛开始调查里昂的去向。从后者留下的种种蛛丝马迹看来，一个神秘的女病人和里昂的失踪有着千丝万缕的关联。 　　在调查的过程中，萨尔瓦多还发现了自己的妻子奥利维亚（Núria Prims 饰）所隐藏的秘密，与此同时，萨尔瓦多深藏在心底的对于艾玛的爱意借由此次机会死灰复燃。而这一切，难道都是弗洛伊德的错吗？

東映による新たな配信ブランド・Xstream46が本日1月24日にスタート。第1弾として坂口拓が主演とアクション監督を務める「暴力無双 -サブリミナル・ウォー-」が配信されている。

罗科·贝利克关于梦的纪录片灵感来自《盗梦空间》，演员约瑟夫·戈登·莱维特和许多记录艺术家都参加了这部纪录片。

罗科·贝利克关于梦的纪录片灵感来自《盗梦空间》，演员约瑟夫·戈登·莱维特和许多记录艺术家都参加了这部纪录片。

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.