海军上校达吉（凯尔希·格兰莫 Kelsey Grammer 饰）生性狂放不羁，因为屡犯军纪而被贬职，成为了即将报废的潜水艇“刺鱼一号”的舰长。尽管潜水艇上的船员们尽是一些乌合之众，但达吉却和他们颇为“臭味相投”，之后调来的美丽女上尉雷科（罗伦·荷莉 Lauren Holly 饰）更是让达吉觉得自己来对了地方。 　　在一次军事演习中，达吉率领刺鱼一号完成了一次根本不可能完成的任务，将军格兰（布鲁斯·邓恩 Bruce Dern 饰）是达吉的宿敌，心生妒忌的他再次给达吉出了难题。然而，让格兰没有想到的是，达吉凭借着勇气和幸运再一次侥幸完成任务，但这并没能让格兰回心转意，他甚至企图夺走达吉身为舰长的权利。

十五岁的奥利弗坐在教室里的时候脑中总是充满各种幻想，周围的一切对他来说都是普通中蕴含奇异的存在。在同学里他总是显得不合群，他注意到同学祖娜也是如此。祖娜在铁桥下约见奥利弗并拍下两人亲吻的照片以此来刺激前男友，奥利弗为此付出了被祖娜前男友教训的代价，而这却让两个人真正走在一起了。

Lebanon, 2017. The garbage crisis has not been solved, the health threats are now bigger than ever and more acid rain is coming. Everyone in town, disillusioned and fed up with it, has decided that this situation cannot go on anymore, and plan to leave, forever. Hala, however, hardened wild child in the body of a young woman, who has been hiding in her nest for a long time, refuses to follow the movement, clinging to whatever remains of home. Through its colorful characters and lack of leader figure, Hala and this town serve as a microcosm of a country that has lots its glory, and its leaderless generation

Lebanon, 2017. The garbage crisis has not been solved, the health threats are now bigger than ever and more acid rain is coming. Everyone in town, disillusioned and fed up with it, has decided that this situation cannot go on anymore, and plan to leave, forever. Hala, however, hardened wild child in the body of a young woman, who has been hiding in her nest for a long time, refuses to follow the movement, clinging to whatever remains of home. Through its colorful characters and lack of leader figure, Hala and this town serve as a microcosm of a country that has lots its glory, and its leaderless generation

神秘的老大爷每天定时来到我的家门口要饭要钱，我也是出于好心，每次只要碰上了都会给一点，可是时间久了我才发现，他为什么就只会到我这里来要饭，也没有看到过他去别的家，这让我对他产生了浓烈了好奇心，于是有一天我追了上去。

电影《黄色潜水艇》是一部插图艺术创作，画风、设计自成一格，与迪士尼唯美人物造型、浪漫故事情节全然不同。我们可视《黄》为一种视觉艺术，它融合了普…

1943年9月，行驶于大洋正中的潜水艇卡佩里尼号，正在前往日本输送战时物资。与世隔绝的他们并不知道本国已判出原有阵营，尚做着纵情欢歌美梦。殊不知等待着他们的是刻板严厉的日本海军少佐・速水洋平。奉行享乐主义的意大利船员与将捐躯赴国刻入灵魂的日本少佐，一段家国与本性的碰撞即将展开。

1943年9月，行驶于大洋正中的潜水艇卡佩里尼号，正在前往日本输送战时物资。与世隔绝的他们并不知道本国已判出原有阵营，尚做着纵情欢歌美梦。殊不知等待着他们的是刻板严厉的日本海军少佐・速水洋平。奉行享乐主义的意大利船员与将捐躯赴国刻入灵魂的日本少佐，一段家国与本性的碰撞即将展开。

In 1515, Leonardo Da Vinci designed a weapon that would allow Venice to defend itself from the attacks of the Ottoman Empire: a proto-submarine that could sink enemy ships. In Hito Steyerl's immersive installation, we embark on a metaphorical journey aboard Leonardo's Vessel. Venice's waters, palazzi and skies, generated by future prediction artificial intelligence (AI) video processing, flow past while a silky voice-over speaks of technology, power, corruption, art and warfare. The voice-over addresses the recent name change of Finmeccanica, an Italian global company specialising in armaments, to Leonardo S.p.A., after the artist and weapon inventor. This manoeuvre is common in Steyerl's work: ripping apart the boundaries between reality and fiction, art and politics, philosophy and daily news through pointed, through nonchalant, rhetorical operations.