The story of a Japanese man who as a 16-year-old went to Maui to work in the sugar cane fields in order to support his family back in Japan. Now 89 and still living in Hawaii he is visited by his granddaughter who brings him a letter from his disinherited and recently dead son. This brings back memories of his life with his wife and family following the attack on Pearl Harbor, in particular of his son who had gone off to join the war for the Americans.

讲述了年幼的梦神之女沈红菱为平息战争用自己的一魂一魄将万煞门十万大军封印于梦境中，十八年后却意外将万煞门门主沈牧之唤醒。为了复仇，沈牧之跟在沈红菱身边却意外发现了一场足以毁天灭地的阴谋，两人也在拯救苍生的过程中互生情愫。从立场不同的冤家对头，到执子之手的命定之人，梦境与现实的结局会将两人指向怎样的命运？是选择拯救天下苍生，还是保护挚爱之人，精彩好戏值得期待。

泷伊（曹丹妮 饰）的AI——零（何蕾 饰）如影随形般地与她的生活交织在一起，人工智能的迅猛发展让算法替代了人的亲密位置，成为日常生活新的守护者 　　从逃避、觉醒再到将零视作一个真实的伴侣，泷伊也在这个过程中逐渐能直面自己情感的倾向与幻想的具象 　　但零虚拟形态的天然隔阂，也促使她们不断思考探索，情感联系的边界与可能 　　最后零脱离拼凑的数字肉身，骇入城市网络中，将这个世界的每一处传感器变成自己身体的一部分，无处不在地感知、守护泷伊

冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。

Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them. 　　The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman. 　　This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.