日向坂46成员们成为突击记者，采用“包围采访”方式的谈话综艺节目。

黑道車手阿仁喝慣的茶餐廳例湯向來沒加紅蘿蔔，是日碗中竟意外有兩大塊，難道要來的始終還是會來？平日揸車搵食不問江湖是非，這夜看不過眼，為救妙女郎做一晚英雄，卻觸犯了自己的忌諱，是命運使然還是因果報應？邱傲然首部劇情短片，即挑戰港產類型片最精熟的範疇，黑幫世界、埋身肉搏、飛車追逐，拍出鮮浪潮短片少有的面貌，選材和風格，教人想起冷峻暴烈的《極速罪駕》（2011），動作處理和宿命感也滲透「銀河映像」的味道，落足心機炮製一道視覺濃湯，五味雜陳。

时尚广告剧组来到海边拍摄，却发现提前搭建的装置因海水涨潮消失不见。在一名美术助理的努力下，剧组的无人机飞向海面搜寻装置，同时将她带入未知的境地。

时尚广告剧组来到海边拍摄，却发现提前搭建的装置因海水涨潮消失不见。在一名美术助理的努力下，剧组的无人机飞向海面搜寻装置，同时将她带入未知的境地。

酷熱的球場上，兩名女球僮正猶豫是否說出口時，想不到怪事真的發生了。

黑道車手阿仁喝慣的茶餐廳例湯向來沒加紅蘿蔔，是日碗中竟意外有兩大塊，難道要來的始終還是會來？平日揸車搵食不問江湖是非，這夜看不過眼，為救妙女郎做一晚英雄，卻觸犯了自己的忌諱，是命運使然還是因果報應？邱傲然首部劇情短片，即挑戰港產類型片最精熟的範疇，黑幫世界、埋身肉搏、飛車追逐，拍出鮮浪潮短片少有的面貌，選材和風格，教人想起冷峻暴烈的《極速罪駕》（2011），動作處理和宿命感也滲透「銀河映像」的味道，落足心機炮製一道視覺濃湯，五味雜陳。

公元2030年，在一群天才科学家的带领下，生物工程学取得了极大突破，但所有新技术都会很快转化为军用，导致新一代军备竞争的开始。“尖兵”作为本时代生物工程学的最高成就、最尖端的武器，被广泛运用其中。虽然尖兵有着常人所不能及的战斗力，但由于纳米机器会透支生命，大部分尖兵在一定年限后，都会提前退役。 女主角琉璃在长久执行任务之后，她的生命也被严重透支。最后只剩下380天生命的琉璃，接到了一个新的任务——去一个平民设施中解救人质。 对于只会杀戮和战斗的她来说，这无疑是艰难的，但服从命令的她，依然执行了这个任务。 在这次行动中，她意外发现劫持人质的老大，居然是曾经的尖兵。一直喊着让政府交出“伊甸之子”的前尖兵周忠戎，让同为尖兵的琉璃充满了鄙视。为了解决这个尖兵中的败类，两个尖兵之间的战斗，就此展开……

Classic and key movie in Mexican drama and exploitation genre. This movie is rather depressing than shocking. As a kid this was a traumatic view as the main and most shocking scene takes the viewer by surprise. 　　The title tells you half you need to know. A young man is taking a shower when some "cubs" attack him and devour his genitals. The scene is pretty gory and raw but I repeat, it's not that shocking; it's depressing. As a child that scene impressed and shocked me, but now as a grown-up I understand the sad situation. 　　The rest of the plot deals with his normal life as an adult and how traumatic the experience is. He gets into a passionate relationship with a love caring and beautiful woman but everything gets horrible when they try to have a sexual relationship. 　　The movie is not that raw in visuals but in dialogs and character development it's truly disturbing. Low budget in Mexican cinema always means crudeness. You won't be disappointed if you like difficult topics displayed into movies.

演员世雄一向处事鲁莽，为了隐瞒职业身份，在新女佣苏菲面前扮演起游手好闲的虐妻丈夫。他却万万没想到，原来苏菲母亲死于父亲暴力下。当他毫无避讳地在家中“表演”时，苏菲力求挽救女主人，而逐渐对他产生了杀机。

A gray lizard with yellow spots sits quietly on a tree stump, as digital cameras revolve around it. Click, click, click—the lizard is captured from every angle. Our Ark begins with a company that is making 3D copies of every animal on Earth—starting with the endangered species. A kind of virtual Noah’s ark. 　　Filmmakers Deniz Tortum and Kathryn Hamilton use this digital recording process as the starting point for a visual essay. Now that we have the technological capabilities, we’re trying make a sort of back-up of the entire world—forests are being digitally archived, as are monuments, and even everyday objects like garbage bags. 　　Shots of natural objects alternate with their 3D duplicates; the commentary offers explanation, but at the same time leaves room for us to ask our own questions. Who are all these digital archives for? What purpose is served by our urge to record everything? Do we hope to be able to bring this world back to life? And what happens to our notion of the real world if we think we can reduce it to ones and zeros?