这是田鹏与其弟弟田鹤在1974年自组田氏兄弟影业公司后拍摄的电影，田鹏拍的基本都是古龙改编的武侠片，这次挑战黑社会写实电影显得有些捉襟见肘。田鹏因为台球打的好，被王冠雄相中，因为三年前王被柯俊雄暗杀失去了一条手臂，这次是要训练田鹏去挑战球王柯俊雄。电影中对于台球比赛处理的有些潦草，比赛没有一丝紧张感，第一次赌局柯俊雄输了，田鹏成为新球王。柯俊雄派大细眼暗杀，但没成功。第二次赌局升级，台球的玩法多种多样，王冠雄安装了人造手臂，跟田鹏组队，与柯俊雄，万重山比赛，结果柯俊雄又输了。王也没多少戏份，被柯暗杀。片子一直塑造的是田的个人英雄主义，连田在车上爆炸都没死掉，最后蓬头垢面出场把柯给枪杀了，为本片一大败笔。

这是田鹏与其弟弟田鹤在1974年自组田氏兄弟影业公司后拍摄的电影，田鹏拍的基本都是古龙改编的武侠片，这次挑战黑社会写实电影显得有些捉襟见肘。田鹏因为台球打的好，被王冠雄相中，因为三年前王被柯俊雄暗杀失去了一条手臂，这次是要训练田鹏去挑战球王柯俊雄。电影中对于台球比赛处理的有些潦草，比赛没有一丝紧张感，第一次赌局柯俊雄输了，田鹏成为新球王。柯俊雄派大细眼暗杀，但没成功。第二次赌局升级，台球的玩法多种多样，王冠雄安装了人造手臂，跟田鹏组队，与柯俊雄，万重山比赛，结果柯俊雄又输了。王也没多少戏份，被柯暗杀。片子一直塑造的是田的个人英雄主义，连田在车上爆炸都没死掉，最后蓬头垢面出场把柯给枪杀了，为本片一大败笔。

香港核心商业地带突发连环抢劫大案，区域内多家珠宝店遭遇悍匪团伙的洗劫！冲锋组长郑志斌一路追击，原来是悍匪头目阮卓龙、阮卓武是多年前另一桩持枪抢劫案的在逃要犯，两人犯案同时还不断向警方挑衅。此外，阮氏兄弟的步步紧逼亦张家和，四人在不断交锋中。

導演馬偉豪回到香港愛情喜劇類型，繼《玉女添丁》、《新紮師妹》新作《火拼男女》由唐耀良執導，周麗淇與吳卓羲主演。故事講述沉溺在失戀傷痛的俊南被上司派去保護意外協助警方捉拿罪販的Daisy，兩位貌合神離，但後來感情竟然曖昧升溫。周麗淇、吳卓羲二人認識多年首次合作，令人期待。

Set against the urban jungle of 1963 New York's gangland subculture, this coming of age teenage movie is set around the Italian gang the Wanderers. Slight comedy, slight High School angst and every bit entertaining with its classic 1950's Rock n' Roll soundtrack such as "Walk Like a Man", "Big Girls Don't Cry" by The Four Seasons and "My Boyfriend's Back" by The Angels. Focusing around a football game where the different gangs play with and against each other, then at its grand finale, come together in a mass of union to defend their honour and their turf. Nostalgic stuff and above all a Rock n' Roll retrospective on a grand musical era. Timeless.

Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.

Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.

這是一部克制的電影，講述著父子關係尋常小事，在父親的心裡，兒子販毒坐牢是導致妻子鬱鬱寡歡而亡的原因，兩代人拼力在裂縫裡填充情誼卻因為召招妓而反目，父親趕走了“小流氓” 兒子，兒子卻搞不懂父親暴怒的原因，直到布魯諾有次回家看到父親和老相好赤身裸體的場面。母親的憂鬱而死亡到底是誰造成的，電影沒有答案，電影留給我們的是活下去和麵對未來的方法。 　　在戒毒心理救助機構的幫助下他找到了一份舊書店的工作，書店老闆杜扎特是個和善的老人，而書店的女店員凱瑟琳曾經也是一個癮君子，導演以她的戒毒反復來和布魯洛遠離毒品的決心相對比，影片中書店老闆無疑成為了父性角色，他和布魯洛的父親的迴避不一樣，這位同性戀的老人是一位不停步的可愛老人，他在關鍵的時候拯救了兩個靈魂，在法國電影裡這種俯視的關愛代表著文化上的人道主義和人性的大愛。 　　http://www.moviecaker.com/Video/Detail/M00000000050843

這是一部克制的電影，講述著父子關係尋常小事，在父親的心裡，兒子販毒坐牢是導致妻子鬱鬱寡歡而亡的原因，兩代人拼力在裂縫裡填充情誼卻因為召招妓而反目，父親趕走了“小流氓” 兒子，兒子卻搞不懂父親暴怒的原因，直到布魯諾有次回家看到父親和老相好赤身裸體的場面。母親的憂鬱而死亡到底是誰造成的，電影沒有答案，電影留給我們的是活下去和麵對未來的方法。 　　在戒毒心理救助機構的幫助下他找到了一份舊書店的工作，書店老闆杜扎特是個和善的老人，而書店的女店員凱瑟琳曾經也是一個癮君子，導演以她的戒毒反復來和布魯洛遠離毒品的決心相對比，影片中書店老闆無疑成為了父性角色，他和布魯洛的父親的迴避不一樣，這位同性戀的老人是一位不停步的可愛老人，他在關鍵的時候拯救了兩個靈魂，在法國電影裡這種俯視的關愛代表著文化上的人道主義和人性的大愛。 　　http://www.moviecaker.com/Video/Detail/M00000000050843