Lumiere No. 20

苏联解体后那个“疯狂的九十年代”，在俄罗斯北方一座工业城市。主人公伊万是一名雅库特人（少数族裔），因为20多年前那场不光彩的茹侵阿富汗战争留下了脑震荡，现在是一家锅炉房里的工人。一位当地的黑道大佬是伊万从前的战友，常常利用锅炉房来毁尸灭迹，“没关系，他们都是一些坏人”，如此，他安慰伊万说。但直到有一天，当Skryabin的女儿因抢走了这位朋友女儿的男友而被送进锅炉时，伊万才开始醒悟。战争并没有结束。 　　影片是一部极端残酷的暴力现实主义作品，可谓延续了阿历克塞·巴拉巴诺夫一贯大胆黑色的风格。他执导的《兄弟》、《畸零与色情》等片让主流媒体难以接受，克里姆林宫最喜欢的导演Nikita Mikhalkov（《毒太阳》）也曾出面攻击称《兄弟》的主人公“充满破坏欲”，“荼毒青少年的思想”。不过在2010年底俄国影评人们颁出的“白象”奖中，《火炉工》摘得了最佳影片、最佳导演在内四项大奖，成为最大赢家。

苏联解体后那个“疯狂的九十年代”，在俄罗斯北方一座工业城市。主人公伊万是一名雅库特人（少数族裔），因为20多年前那场不光彩的茹侵阿富汗战争留下了脑震荡，现在是一家锅炉房里的工人。一位当地的黑道大佬是伊万从前的战友，常常利用锅炉房来毁尸灭迹，“没关系，他们都是一些坏人”，如此，他安慰伊万说。但直到有一天，当Skryabin的女儿因抢走了这位朋友女儿的男友而被送进锅炉时，伊万才开始醒悟。战争并没有结束。 　　影片是一部极端残酷的暴力现实主义作品，可谓延续了阿历克塞·巴拉巴诺夫一贯大胆黑色的风格。他执导的《兄弟》、《畸零与色情》等片让主流媒体难以接受，克里姆林宫最喜欢的导演Nikita Mikhalkov（《毒太阳》）也曾出面攻击称《兄弟》的主人公“充满破坏欲”，“荼毒青少年的思想”。不过在2010年底俄国影评人们颁出的“白象”奖中，《火炉工》摘得了最佳影片、最佳导演在内四项大奖，成为最大赢家。

一个新的生产中心，可能会建立在一个未知的未来。这里生产什么？我们将通过跟踪给定的痕迹来发现。两对手试图解开自己。一只人类绵羊几乎被切成碎片。热烈欢迎他们生活中的作家和演员。讲述故事时，他们的叙述者仔细分析。当大门打开时，那些离开劳动力发电厂的人已经适应了劳动力市场的需求。下一个生产周期开始了……拥有自己意愿、兴趣和欲望的人，正被赋予不同的生理、认知、心理和社会核心能力，将其转化为人力资源。同时，管理层正在引入新的方法来丰富产品，使其具有“自我评估”、“自我优化”和最重要的“自我实现”的创新特征。进行了一系列的干预，导致一个乍一看可能显得奇怪的集会。 　　A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.

讲述一位女子不满意她的丈夫，觉得他没有野心和激情，于是决定换一个新丈夫。而这个新丈夫却大不一样……

讲述一位女子不满意她的丈夫，觉得他没有野心和激情，于是决定换一个新丈夫。而这个新丈夫却大不一样……

Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband.In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.

Charlie, forced to reevaluate her all-female mechanic shop, unknowingly confides in her online confidant Beau, who turns out to be her real-life business rival, their connection blossoms amidst professional rivalry.

Charlie, forced to reevaluate her all-female mechanic shop, unknowingly confides in her online confidant Beau, who turns out to be her real-life business rival, their connection blossoms amidst professional rivalry.