When an unknown disease wipes out most of the world's population, a man with unique blood is isolated for study. Fearing for his wife's safety, he breaks his quarantine - into a world overrun by monstrous Infected and a shadowy agency hunting them down.

When an unknown disease wipes out most of the world's population, a man with unique blood is isolated for study. Fearing for his wife's safety, he breaks his quarantine - into a world overrun by monstrous Infected and a shadowy agency hunting them down.

为纪念拜占庭帝国陷落555周年，俄罗斯拍摄了一部长70分钟的电影《帝国的灭亡：拜占庭的教训》，电影解说人、脚本作者是东正教大司祭吉洪·舍夫库诺夫。该片播放后立即引起反响，成为俄罗斯改年度文化生活中的重大事件。

为纪念拜占庭帝国陷落555周年，俄罗斯拍摄了一部长70分钟的电影《帝国的灭亡：拜占庭的教训》，电影解说人、脚本作者是东正教大司祭吉洪·舍夫库诺夫。该片播放后立即引起反响，成为俄罗斯改年度文化生活中的重大事件。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

2008年，山林中出现的诡异女尸，打破了江城原本的平静，刑警雷牧与刚被调到雾市的法医宋寒心组成刑侦小组，联手对案件展开调查，是社会性报复？还是熟人作案？经多方排查，众人将目光聚集在女尸闺蜜高梦婷身上，就在他们实施抓捕时，高梦婷却离奇死亡，其男友马征成了最大的嫌疑人，真相似乎触手可得，现实却让他们与真相擦肩而过，马征也被宣告死亡，案情陷入困境，变得更加的扑朔迷离，谁会是杀害他们的真凶？凶手明显具有极强的反侦察意识以及医学知识，而这次他们不约而同的想到了同一个人。

2008年，山林中出现的诡异女尸，打破了江城原本的平静，刑警雷牧与刚被调到雾市的法医宋寒心组成刑侦小组，联手对案件展开调查，是社会性报复？还是熟人作案？经多方排查，众人将目光聚集在女尸闺蜜高梦婷身上，就在他们实施抓捕时，高梦婷却离奇死亡，其男友马征成了最大的嫌疑人，真相似乎触手可得，现实却让他们与真相擦肩而过，马征也被宣告死亡，案情陷入困境，变得更加的扑朔迷离，谁会是杀害他们的真凶？凶手明显具有极强的反侦察意识以及医学知识，而这次他们不约而同的想到了同一个人。

Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?

Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?