僵尸，恶魔，和一个疯狂的医生等待着一车人寻找阿兹特克遗址。奥沙利文神父是一名天主教神父，他已经失去了对上帝的信仰，也无法忘记曾经和他有过一段婚外情(还有一个儿子)的修女。奥沙利文为考古学生卡尔，新时代的威尔伯和克拉利斯·莱明，离家出走的劳里，游客杜佐斯和弗罗斯特在墨西哥巴士旅行期间担任导游。更令奥沙利文惊讶的是，当他的爱人泰茜和她的儿子埃文一起上车时。在墨西哥，卡尔透露了他对一个重要的古代文本的了解，正好赶上了死亡庆典的日子。与此同时，邪恶的Um-tzec博士正在为自己策划一场神化，最终化身为死亡之神，而他需要完成的是献祭孩子们的心……很多很多的心。当欧沙利文神父为再次见到泰茜而挣扎的时候，Um-tzec医生走近他进行驱魔;但. .

僵尸，恶魔，和一个疯狂的医生等待着一车人寻找阿兹特克遗址。奥沙利文神父是一名天主教神父，他已经失去了对上帝的信仰，也无法忘记曾经和他有过一段婚外情(还有一个儿子)的修女。奥沙利文为考古学生卡尔，新时代的威尔伯和克拉利斯·莱明，离家出走的劳里，游客杜佐斯和弗罗斯特在墨西哥巴士旅行期间担任导游。更令奥沙利文惊讶的是，当他的爱人泰茜和她的儿子埃文一起上车时。在墨西哥，卡尔透露了他对一个重要的古代文本的了解，正好赶上了死亡庆典的日子。与此同时，邪恶的Um-tzec博士正在为自己策划一场神化，最终化身为死亡之神，而他需要完成的是献祭孩子们的心……很多很多的心。当欧沙利文神父为再次见到泰茜而挣扎的时候，Um-tzec医生走近他进行驱魔;但. .

一个偏远村庄的乌斯塔德驱魔专家遭到了强大恶魔的袭击。当驱魔师试图进行驱魔以驱逐恶魔时，恶魔却进入了驱魔师的家中，开始诱惑和威胁驱魔师家人的安全。

A group of teenage Goths tries to summon a voodoo god at an ancient graveyard. While being sedated through medicals and high on drugs, they get surrounded and butchered by awaking voodoo zombies

一个偏远村庄的乌斯塔德驱魔专家遭到了强大恶魔的袭击。当驱魔师试图进行驱魔以驱逐恶魔时，恶魔却进入了驱魔师的家中，开始诱惑和威胁驱魔师家人的安全。

A group of teenage Goths tries to summon a voodoo god at an ancient graveyard. While being sedated through medicals and high on drugs, they get surrounded and butchered by awaking voodoo zombies

Quote: 　　This visually stunning Kazakh movie tells a tragic tale of absent and misplaced compassion. A young orphan rescues an orphaned wolf cub and lavishes considerable affection on it. His uncle, believing that this “softness” will result in the boy’s being unable to endure the rigors of life on the Kazakh steppes, savagely beats the cub in front of the boy. By the time the grown wolf is released into the wild, it has grown extremely ferocious and it returns and attacks the boy, perhaps because it perceives him as being weak, just as the boy’s uncle did. ~ Clarke Fountain, Rovi 　　Quote: 　　When Tolomush Okeev passed away at the age of 66 in late 2001, the Kirghiz Film Studio was renamed in his honor. Which is as it should be, because he was a powerfully gifted and dedicated artist who served his country and its film industry well. Okeev was one of the greatest outdoor filmmakers who ever lived: he deserves a place alongside Jean Epstein and Terrence Malick. Anyone can set up a camera in front of a mountaintop and get a majestic image. But Okeev filmed the Kirghiz mountains and deserts with an intimate knowledge and the keenest sensitivity. The action in his films is always keyed to the landscape in a way that appears effortless, no matter how painstakingly wrought: he knows every crack, every crevice, all the cruelty and all the beauty of a life lived under the open sky. This 1973 film, written by Andrei Konchalovsky, may well be Okeev’s masterpiece. It’s the story of a boy who raises a wolf cub, and learns quickly about savagery of the animal and human variety. No one beside Bresson has understood the essential character of an animal so well. And there are sequences here – a pack of wolves raiding a herd of sheep by night, a wolf hunt on horseback, and the snowscapes of the last section of the movie – that will make your hair stand on end. Warning: the films contains explicit scenes of violence to animals. 　　Source : www.seagullfilms.com

Quote: 　　This visually stunning Kazakh movie tells a tragic tale of absent and misplaced compassion. A young orphan rescues an orphaned wolf cub and lavishes considerable affection on it. His uncle, believing that this “softness” will result in the boy’s being unable to endure the rigors of life on the Kazakh steppes, savagely beats the cub in front of the boy. By the time the grown wolf is released into the wild, it has grown extremely ferocious and it returns and attacks the boy, perhaps because it perceives him as being weak, just as the boy’s uncle did. ~ Clarke Fountain, Rovi 　　Quote: 　　When Tolomush Okeev passed away at the age of 66 in late 2001, the Kirghiz Film Studio was renamed in his honor. Which is as it should be, because he was a powerfully gifted and dedicated artist who served his country and its film industry well. Okeev was one of the greatest outdoor filmmakers who ever lived: he deserves a place alongside Jean Epstein and Terrence Malick. Anyone can set up a camera in front of a mountaintop and get a majestic image. But Okeev filmed the Kirghiz mountains and deserts with an intimate knowledge and the keenest sensitivity. The action in his films is always keyed to the landscape in a way that appears effortless, no matter how painstakingly wrought: he knows every crack, every crevice, all the cruelty and all the beauty of a life lived under the open sky. This 1973 film, written by Andrei Konchalovsky, may well be Okeev’s masterpiece. It’s the story of a boy who raises a wolf cub, and learns quickly about savagery of the animal and human variety. No one beside Bresson has understood the essential character of an animal so well. And there are sequences here – a pack of wolves raiding a herd of sheep by night, a wolf hunt on horseback, and the snowscapes of the last section of the movie – that will make your hair stand on end. Warning: the films contains explicit scenes of violence to animals. 　　Source : www.seagullfilms.com

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.