一个科学家分离出了人类的邪恶血清，却让自己的宝贝漂亮女儿和巨大的远古人类骨骼都成了大恶魔

一个科学家分离出了人类的邪恶血清，却让自己的宝贝漂亮女儿和巨大的远古人类骨骼都成了大恶魔。

《PEN15》背景设定在 2000 年的某间中学，描述正值发育期的十三岁主角（美国 校园里有个梗，如果被问「你愿不愿意加入pen15俱乐部？」，如果说愿意对方就会恶作剧地把「penis」写在你手上）。

创造力将人类区分开来。它支撑着我们最喜欢的技术，是我们的音乐和艺术之源，并使我们能到太空遨游。长久以来，创造力被视为上天赐予的礼物，是科学无法解释的东西……直到现在也是如此。本片将寻找在你有一个杰出创意前、你的大脑里都发生了些什么，探索白日梦如何能帮助你成为有创造力的天才以及迷惑与杰出创意之间的联系。

年轻人有自己热衷的“宝”物，它们不一定有很高的市场价值，往往很非主流很独特，但它们是年轻人的视线焦点和思想寄托，在年轻群体里有巨大的号召力，对企业于年轻人市场价值的判断有很大帮助。专门为观众提供与节目互动的舞台，收藏品的提供，观众的委托要求，对收藏品评头论足等。节目的节奏，全部充满年轻鲜活的元素。

During the summer of 1999, filmmaker James Leong had the opportunity to spend a few days with Edward Yang as he was shooting his final feature film Yi Yi. Yang was a family friend of Leong and close friends with Leong’s father, the acclaimed filmmaker Leong Po-chih (Jumping Ash, Hong Kong 1941, Ping Pong) since the two first met in Hong Kong during the 1980s. 　　Yang, who was famously averse to the media and rarely gave interviews, allowed Leong to take a video camera onto the set of Yi Yi to document the shoot and film him as he spoke candidly about life and how it relates to his work and films. 　　Featuring never-before-seen footage and interviews with Yang, the documentary provides a rare insight into Yang’s thoughts and work processes, and at the same time it reveals the passion, warmth and sense of humour of a man and artist who lived life to the absolute fullest.

Pen15 is middle school as it really happened in the year 2000. Anna Konkle and Maya Erskine play versions of themselves as thirteen year old outcasts, surrounded by actual thirteen year olds.

Pen15 is middle school as it really happened in the year 2000. Anna Konkle and Maya Erskine play versions of themselves as thirteen year old outcasts, surrounded by actual thirteen year olds.