Stephen Baker/Barker/Parker (the name is pronounced distinctly all three different ways) is aided by the magic of Taoist Collins, an expert in keung si, to cheat his way into becoming the Gambling King. He challenges Myer, a gambling master to a dice match with their lives as the stakes, and wins via cheating. Even though Stephen cheated, Myer keeps his word and shoots himself, much to the consternation of his son, Leslie. Rose Myer, the ghost of his wife, individually comes to her brothers-in-law, Roger (a ninja in white), and Ken (a nerdy ninja in green, who also disguises himself as a keung si and a Taoist priest at various points) and wants her husband's death avenged. Collins sends his keung si after the two of them, while Leslie Myer and his father's best friend seek out the help of James Webber, a master gambler who became an alcoholic after losing one time. After Leslie calls him a coward along with some unprintable words, Webber agrees to help, but not alone. H recruits his ...

Stephen Baker/Barker/Parker (the name is pronounced distinctly all three different ways) is aided by the magic of Taoist Collins, an expert in keung si, to cheat his way into becoming the Gambling King. He challenges Myer, a gambling master to a dice match with their lives as the stakes, and wins via cheating. Even though Stephen cheated, Myer keeps his word and shoots himself, much to the consternation of his son, Leslie. Rose Myer, the ghost of his wife, individually comes to her brothers-in-law, Roger (a ninja in white), and Ken (a nerdy ninja in green, who also disguises himself as a keung si and a Taoist priest at various points) and wants her husband's death avenged. Collins sends his keung si after the two of them, while Leslie Myer and his father's best friend seek out the help of James Webber, a master gambler who became an alcoholic after losing one time. After Leslie calls him a coward along with some unprintable words, Webber agrees to help, but not alone. H recruits his ...

在有人神秘地将他的注意力吸引到了证据之后，一位无所畏惧的所得税官员袭击了勒克瑙最有权势的人的宅邸。

在有人神秘地将他的注意力吸引到了证据之后，一位无所畏惧的所得税官员袭击了勒克瑙最有权势的人的宅邸。

一位少校遭到诬陷被逼自杀，他的四位同事从此走上了为他正名的道路，然而这条道路并不平坦，他们不惜违反法律进行各种调查，从而游走在法律与正义的边缘，这不仅仅是一部关乎友情的剧作，也是一部对正义发问的剧作。 　　本剧共8集，改编自法剧Braquo.

一位少校遭到诬陷被逼自杀，他的四位同事从此走上了为他正名的道路，然而这条道路并不平坦，他们不惜违反法律进行各种调查，从而游走在法律与正义的边缘，这不仅仅是一部关乎友情的剧作，也是一部对正义发问的剧作。 　　本剧共8集，改编自法剧Braquo.

Ernö Metzner, the art director for G. W. Pabst’s Pandora’s Box (1928), himself co-wrote (along with Grace Chiang) and directed Police Report: Assault. Although the film’s protagonist is a coin, I will refer to the pop-eyed man who picks it up off the street as the protagonist; but when the police at the last ask him to identify whoever assaulted him and he imagines the coin spinning in space, we the audience know what he blames. 　　Metzner’s middling short film, set in Berlin, depicts desperate, impoverished lives in Weimar Germany. It would seem that the protagonist’s luck has picked up once he finds the coin by the curb that we know many other passers-by missed; but we also know that the coin’s previous owner collapsed before losing it to the street. Indeed, once he tries buying cigarettes with it, the protagonist discovers that the coin, as currency, is obsolete. What to do? The man slips it into a game of dice and wins. However, he is pursued through the street by someone else who is financially desperate, and who is toting a club. Two more stressed persons, a thin-lipped prostitute and her pimp, first, provide protection for the protagonist and then danger, once they also try to rob him. It is his original stalker, though, who gives the protagonist a whack across the noggin that causes his head, at the launch of an expressionistic passage, to stretch itself into distorted mirror-images.

Ernö Metzner, the art director for G. W. Pabst’s Pandora’s Box (1928), himself co-wrote (along with Grace Chiang) and directed Police Report: Assault. Although the film’s protagonist is a coin, I will refer to the pop-eyed man who picks it up off the street as the protagonist; but when the police at the last ask him to identify whoever assaulted him and he imagines the coin spinning in space, we the audience know what he blames. 　　Metzner’s middling short film, set in Berlin, depicts desperate, impoverished lives in Weimar Germany. It would seem that the protagonist’s luck has picked up once he finds the coin by the curb that we know many other passers-by missed; but we also know that the coin’s previous owner collapsed before losing it to the street. Indeed, once he tries buying cigarettes with it, the protagonist discovers that the coin, as currency, is obsolete. What to do? The man slips it into a game of dice and wins. However, he is pursued through the street by someone else who is financially desperate, and who is toting a club. Two more stressed persons, a thin-lipped prostitute and her pimp, first, provide protection for the protagonist and then danger, once they also try to rob him. It is his original stalker, though, who gives the protagonist a whack across the noggin that causes his head, at the launch of an expressionistic passage, to stretch itself into distorted mirror-images.