城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式。

沈安落魄之时收到了一条来自未来自己的短信，让他趁着灵气复苏之前准备好去千灵山，吸收灵气为即将到来的全民修仙时代做准备。在未来自己三番两次的成功预言后，沈安终于相信开始准备前往千灵山吸收灵气，期间偶遇了特殊部门的美女白微微。白微微一行也在寻找灵气出现的地方，奈何比沈安晚了一步，所有灵气被沈安全部吸收。白微微察觉到沈安不是普通人一直派人跟踪监视，沈安身上的秘密也逐渐浮出水面，在未来自己的指引下，沈安找到了当初陷害自己的人并且成功报了仇，又帮助特殊部门重建了地球，保护了全民修仙时代的修士。

Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.

제때 정리하지 못한 가슴 속 찌꺼기 　　마음도 분리수거가 필요해! 　　남자친구의 배신에 충격을 받은 ‘재연’ 　　돌연, 제주도로 떠난다. 　　과거를 숨긴 게스트하우스 주인 ‘재화’, 　　현실의 벽에 가로막혀 이별을 택한 ‘범주’와 　　원치 않는 사랑을 받고 있는 뷰티 유튜버 ‘채원’, 　　마지막 이별 여행을 온 연인 ‘진석’과 ‘다혜’까지 　　여행에서 만난 각양각색의 연애담들! 　　어쩌면 우리 모두의 이야기!

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.