城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式。

沈安落魄之时收到了一条来自未来自己的短信，让他趁着灵气复苏之前准备好去千灵山，吸收灵气为即将到来的全民修仙时代做准备。在未来自己三番两次的成功预言后，沈安终于相信开始准备前往千灵山吸收灵气，期间偶遇了特殊部门的美女白微微。白微微一行也在寻找灵气出现的地方，奈何比沈安晚了一步，所有灵气被沈安全部吸收。白微微察觉到沈安不是普通人一直派人跟踪监视，沈安身上的秘密也逐渐浮出水面，在未来自己的指引下，沈安找到了当初陷害自己的人并且成功报了仇，又帮助特殊部门重建了地球，保护了全民修仙时代的修士。

Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。