阿尔・韦恩是个生无大志，只想终生务农的农民，为了成为顶尖一流的农民，他不断从事农业工作，并钻研所有与农民相关的技能。然而就在他将农民相关技能全…

マップアプリの360°カメラカーのドライバーとして働く道子。お気に入りのラジオとともに、街を眺めては空想に浸るのが、彼女にとって何よりの楽しみだった。天性の空想家である道子は、幼い頃から現実と折り合いをつけるのが苦手で、孤独感を抱えながら生きてきた。そんな彼女にとって今の仕事は、“ありのままで居ても許される”唯一の居場所となっていた。穏やかな日常を送る道子だったが、ある日、思いもよらない出来事が彼女の行動を変える転機となる。

マップアプリの360°カメラカーのドライバーとして働く道子。お気に入りのラジオとともに、街を眺めては空想に浸るのが、彼女にとって何よりの楽しみだった。天性の空想家である道子は、幼い頃から現実と折り合いをつけるのが苦手で、孤独感を抱えながら生きてきた。そんな彼女にとって今の仕事は、“ありのままで居ても許される”唯一の居場所となっていた。穏やかな日常を送る道子だったが、ある日、思いもよらない出来事が彼女の行動を変える転機となる。

繼好評如潮的《黑力量集錦帶1967-1975》後，奧臣再一次發揮剪輯的力量，走進瑞典電視資料庫，藉大量新聞片，展示非洲各國在二次世界大戰後前仆後繼的民族獨立運動。Lauryn Hill有力唸出法農的《地球上的苦命人》的關鍵文本，指出殖民主義的暴力本質，引發更多暴力衝突份屬必然。奧臣發掘革命新意象，如黑色維納斯的斷臂女人，在森林進行拯救戰士手術，都是深刻震撼的鏡頭，再配以葡語民歌及鏗鏘爵士樂，把九個反帝反殖自衛場景重塑過來。柏林影展法爾賓達電影獎。 　　Göran Hugo Olsson returns to the Sundance Film Festival (The Black Power Mixtape 1967–1975 played in the World Cinema Documentary Competition in 2011) with this bold, fresh, and compelling visual narrative about the African liberation struggles of the 1960s and 1970s. Concerning Violence combines newly discovered archival material depicting some... » 　　About the Director 　　Göran Hugo Olsson's previous film at the Sundance Film Festival, The Black Power Mixtape 1967–1975, won the 2011 Documentary Editing Award and became a huge hit in festivals and theatres and on... » 　　Cast and Credits 　　Director: Göran Hugo Olsson 　　Producers: Annika Rogell, Tobias Janson 　　Co, Producers: Joslyn Barnes, Danny Glover, Monica Hellström, Miia Haavisto 　　Editors: Michael Aaglund, Dino Jonsäter, Göran Hugo Olsson, Sophie Vukovic 　　Art Director: Stefania Malmsten 　　Assistant Director: Sophie Vukovic 　　Associate Producer: Corey Smyth 　　Principal Cast: Narrated by Lauryn Hill

张奕剑意外穿越到修仙世界，拥有了一个系统，每天能够获得各种神级功法和法宝。然而，由于没有修为，张奕剑备受欺辱。直到天衍宗举行收徒仪式，他觉醒了系统的完整功能，只要收徒弟，徒弟的修为就会成倍返还给自己。从此，张奕剑的修仙之路发生了巨大的变化。

雪の光の中で、おしんの身に起こった、暗い、甘美な悲劇を通して男と女の間に潜む人間の業の深さを厳しく見つめた話題作。雪深い北陸越後を舞台に人妻おしんの愛と哀しみを描く水上文学の秀作を、女優・佐久間良子と巨匠・今井正監督が描いた名作。 　　伏見大和屋酒造の杜氏は、遠く越後杜氏であった。日支事変の始った昭和十二年、瀬神留吉と佐分権助の二人は、農閑期を利用して出かせぎにきていた。留吉はおとなしい真面目な働き者で、年が明けると杜氏の大将格である船頭に抜擢されることになっていた。権助は評判の美しい嫁をもち、昇進もする留吉をねたんでいた。留吉より一足先に故郷に帰った権助は、留吉の兄伊助から、シベリア時代に女を抱いた話を聞くと、家への帰り道留吉の嫁おしんに慾情をそそられ、火葬場でおしんを犯した。この時からおしんには夫留吉や姑に言えぬ苦しみができた。一方権助は、大和屋で年間を通して一番の働き者と表彰されたが、心ない権助の作り話に、おしんがコモ買人佐藤と関係していると聞かされ、痛飲するようになった。越後では、おしんが、権助の子を身ごもっていた。人の目につくことを恐れたおしんは、日夜子供をおろすことに心をくだいたが、とうとうそのままで夫留吉を迎える日がきた。三月親不知に帰って来た留吉は、佐藤とのことを問い詰めたがおしんの澄んだ目に愚しい疑いを恥じた。夫婦仲は、人がうらやむばかりであった。ある日おしんの妊娠を知った留吉は、大喜びだったが、産婆から妊娠したのは十二月だと知らされた留吉は十二月には、伏見に居り、あの権助が帰郷していたことを思い出した。激しい怒りに身をふるわす留吉。ついに水田で、おしんに問詰めると泥の中におしんを倒していた。近くの炭小屋の中、美しい白ろうのような死顔をみせるおしんを、留吉はいつまでもいとおしんだ。やがておしんの身体を蟻がむしばむ頃、おしんの死体をかまどの中に入れると、留吉は下山した。折りしも出征兵士として送られる権助を見た留吉は、権助をかき抱くと、谷底へと身を投げた。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide 　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. 　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson 　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

本剧是以山东龙大集团为生活原型，而创作摄制的。反映农民企业家的创业生活。 　　主题曲：你的尊严 　　演唱：范琳琳 　　作曲：孟庆云