Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.

桑托什结婚两年，她的警察丈夫才刚在一场暴动中殉职，她随即就被狠心的婆婆逐出家门。政府让她享有丧偶优惠，得以继承丈夫在警察部队中的职位，成为一名女警。桑托什毫无任何优势，甚至得周旋于一群滥用公权、争功诿过的警察同仁之中… 　　当一名低种姓的年轻女孩遭到谋杀，尸体还被扔进了乡村的井里。奉命着手调查此案的她，必须负责将女孩尸体背到太平间。只因为没有任何同事想被低种姓的人玷污。桑托什的认真负责与正义感，让高级女督察莎玛印象深刻，亦师亦友的两人于是联手办案。同时得面对来自社会深层，包括阶级、性别、信仰、种姓制度等问题，以及警察执法时的各种弊端…

桑托什结婚两年，她的警察丈夫才刚在一场暴动中殉职，她随即就被狠心的婆婆逐出家门。政府让她享有丧偶优惠，得以继承丈夫在警察部队中的职位，成为一名女警。桑托什毫无任何优势，甚至得周旋于一群滥用公权、争功诿过的警察同仁之中… 　　当一名低种姓的年轻女孩遭到谋杀，尸体还被扔进了乡村的井里。奉命着手调查此案的她，必须负责将女孩尸体背到太平间。只因为没有任何同事想被低种姓的人玷污。桑托什的认真负责与正义感，让高级女督察莎玛印象深刻，亦师亦友的两人于是联手办案。同时得面对来自社会深层，包括阶级、性别、信仰、种姓制度等问题，以及警察执法时的各种弊端…

The last heir of the Karmash tribe recollects his now-forgotten ancestral traditions. He wanders through fragmented memories of his past, his lineage, and the city, which is slowly fading into the ruins of his consciousness. A portrait of a man on the verge of familial madness.

The last heir of the Karmash tribe recollects his now-forgotten ancestral traditions. He wanders through fragmented memories of his past, his lineage, and the city, which is slowly fading into the ruins of his consciousness. A portrait of a man on the verge of familial madness.

A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. 　　Paul Sng’s powerful film celebrates the work of Murtha and her commitment to fighting for the communities like the one she grew up in. Born in the northern coastal town of South Shields, she was driven by a fierce conviction to record the impact of Thatcher era de-industrialisation upon local communities. Her striking black and white photos convey a tenderness and intimacy that set her apart from her peers and her work would become a powerful record of a world decimated by a new and ruthless form of capitalism. follows Tish’s daughter Ella as she revisits key moments from her mother’s life and work. She’s accompanied by people who remained close to Tish throughout her life, and who is committed to ensuring her remarkable legacy is recognised. 　　源自：https://sheffdocfest.com/film/tish

A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. 　　Paul Sng’s powerful film celebrates the work of Murtha and her commitment to fighting for the communities like the one she grew up in. Born in the northern coastal town of South Shields, she was driven by a fierce conviction to record the impact of Thatcher era de-industrialisation upon local communities. Her striking black and white photos convey a tenderness and intimacy that set her apart from her peers and her work would become a powerful record of a world decimated by a new and ruthless form of capitalism. follows Tish’s daughter Ella as she revisits key moments from her mother’s life and work. She’s accompanied by people who remained close to Tish throughout her life, and who is committed to ensuring her remarkable legacy is recognised. 　　源自：https://sheffdocfest.com/film/tish

Andy Warhol的艺术作品以通俗/庸俗见称，可以把罐头汤当作画的主题，把玛莉莲梦露画得色彩斑烂。Warhol监製的着名乐队Velvet Underground所唱的歌曲的主题都围绕着毒品与颓废生活。而由他出品，Paul Morrissey执导的电影，亦是不惶多让，例如<Trash>描写的是一个牛郎似的颓废男子的生活，好逸恶劳，终日游手好閒，吸毒，在垃圾堆中过着垃圾般的生活。而<Heat>里的男主角更是正宗牛郎一名，在日落大道的一间旅店中，先与旅店老板娘搭上，再勾搭一妙龄少女，又与少女的过气女星母亲打得火热。最后牛郎毅然离开这位中年妇女，她气愤得要用枪杀死他……就在日落大道上活生生的演一次<日落大道>。 　　这位牛郎是Joe Dallesandro，是肉热渣三片的男主角。我不知道Andy Warhol与Paul Morrissey是否gay的，但肯定他俩有其中一人是"greek greek"地的，不然不会经常把Joe哥的肉体赤条条的暴露在观眾面前，而这位Joe其实也的确有做牛郎的条件。以前的电影从来只会把女性的肉体呈现在电影上，成为观眾的慾望对象，Andy与Paul这系列电影却一反传统，转而展现男性肉体，其暴露的程度比<午夜牛郎>尤甚。无容否认的是他们走在时代的尖端，勇於颠覆当时的道德界限，刻意的触怒卫道之士。 　　这系列电影除了调戏舞男，还要向你展现地下人类与其生活，人妖、同性恋、妓女、脱衣舞孃、过气女星、痴肥人种(貌似John Waters电影里的Divine)，更肆无忌惮地公开展示做爱、自慰与吸毒的场面。而其实片中的所有演员都如癮君子般，说话如白痴，行动如丧尸。这很可能是导演Paul刻意製造的即兴效果，但最大的可能性是……这班人根本就是道友！ 　　你可能会见过有影评人评一些戏的对白冗长(例如伊力卢马的那些)，"冗长"这个字眼显然不适用於此两片，因为两片的对白有"一匹布咁长"，整套戏的场数不多，演员们就在各场里喋喋不休地谈了一个半小时，而讲的统统都是閒话家常的废话，没有耐性的观眾转去看《城市论坛》还可能没有那么气顶。但"一匹布咁长"的对白无疑是此片的一大特色。此片的特色还有16mm(甚至可能是8mm)的粗微粒菲林画面，有看小电影的感觉。 　　<Heat>里的过气女星，无独有偶，其实就是<午夜牛郎>里出现过的阔太，名为Sylvia Miles。而Joe Dallesandro是Warhol团体的成员，多年来做模特儿与演员，笔者翻查过资料，更得知Joe在苏德堡的<The Limey>里，做一个叫Uncle John的角色。苏兄不愧为一个cult片迷。 　　Warhol的出品里，Velvet Underground与Paul Morrissey的作品都有的很重的独立性，以生活作艺术，贯彻DIY精神，简单易做，而且啟发性大。

故事梗概 　　暑假，东南在照相馆的墙壁上注意到一个神秘女孩的照片。他想起与她初遇的场景，当时女孩的行为就颇为诡异。随后，东南似乎患上了一种与环境相关的怪病，存在于幻想中的女孩也随着东南病情的加重逐渐穿透现实，并引诱他完成了一系列疯狂的举动。…… 　　主创信息 　　编剧：杨乐中 　　导演：杨乐中 　　摄影：梁源 　　美术：范克明 朱安琪 　　录音：魏佳明 　　制片主任：滕逸飞 　　主演：林冲 艾思思 滕逸飞

由于性格令人难以忍受，明星厨师马克被首都一家顶级餐厅扫地出门。不仅如此，餐饮界如今没人愿意与他打交道。唯一的出路是，与一位相识才一天的新手厨师一起开一家自己的餐厅，并且要让自己再次拥有曾经在首都的那些辉煌。