Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

尼基-斯珀吉翁（威尔-史密斯 饰演）是一个经验丰富的骗子，他对自己非常有信心，认为获取人的信任是一门学问，而他可以让任何人做任何事情。在新奥尔良，…

本片的编导组合格伦·费卡拉、约翰·雷夸此前作品《我爱你莫里斯》和《疯狂愚蠢的爱》都颇受好评。在该片中，史密斯扮演一名以诈骗为业的中年男子，他同一名年轻的女小偷协同作案，但当两人之间产生了爱情事情变得复杂了起来。

暂无剧情简介

暂无剧情简介

Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist.

Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist.

司机，女乘客，一场直播；工地少年，一支手电，一个荒诞的故事。一叶障目，不见泰山。

Death in all it's faces and stages. From the horrors of Buchenwald to the devastation of Hiroshima. From the political assassinations of the second half of the 20th century to the bloody feeding frenzy of the pythons of Burma. Burned on to the screen like napalm victims of Vietnam. Followed by "Death in Focus" part 2.