英格丽·褒曼是支撑起这部电影的最大亮点，剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树，特别是在动机得设计上足以称得上悬疑片。

英格丽·褒曼是支撑起这部电影的最大亮点，剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树，特别是在动机得设计上足以称得上悬疑片。

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.

实验性的叙事手法，奥利维拉缝织了三个故事，构成了一个强烈互文的结构。该片属于理性电影的范畴，探讨了生死的平衡和自我扬弃的神秘。 他重塑了摄影棚的概念 戏剧时空的引用

在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...

For 25-year-old Sebastian it is all about surface and appearance. Life is full of party, money and one-night stands. He has never challenged himself, whether it be his dream of a music career or maybe, especially true love. When everything is at its best in his superficial life he has an accident that leads to him becoming blind. A whole world closes, or rather opens up. When he sees everything in black, he meets Mia, a personal assistant. A girl he normally would not pay any attention to. She becomes the first to successfully open his eyes to what is important in life. But when Sebastian discovers that Mia is not who he expected superficiality gets an entirely different meaning. EGO is a romantic comedy drama about vanity, love, sex, and that things are not always as they seems.

一个住在森林中的残忍的杀手听到脑海中声音，被吸引到湍急河流的岸边。他被无形的力量冲到猪场附近的一个小磨坊。在那里，他看见他的另一个自我（一个女人）在磨坊干活。她跟他一样也拥有杀戮欲。两人联手将对没有戒备的村民展开一场血腥的大屠杀……

林夏在公园偶遇建筑师陆川，两人结缘后渐生情愫。从咖啡馆相谈到分享工作趣事，感情升温，陆川在观景台告白成功。恋爱中，两人互相关怀，陆母也认可林夏。林夏熬夜晕倒，陆川悉心照料；陆川遇工作难题，林夏给予支持，感情愈发深厚。最终，陆川天台求婚，两人相拥憧憬未来，他们的爱情温暖灿烂，见证着从相遇、相知到相爱的全过程。

27 mins