英格丽·褒曼是支撑起这部电影的最大亮点，剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树，特别是在动机得设计上足以称得上悬疑片。

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.

实验性的叙事手法，奥利维拉缝织了三个故事，构成了一个强烈互文的结构。该片属于理性电影的范畴，探讨了生死的平衡和自我扬弃的神秘。 他重塑了摄影棚的概念 戏剧时空的引用

一名逃亡男子。一条生命危在旦夕。一群即将爆发的人民。

这部影片记录了一群创业者最初的原始状态。有创业想法的人不妨先看看这部片子，说不定会从中获得诸多感悟。

For 25-year-old Sebastian it is all about surface and appearance. Life is full of party, money and one-night stands. He has never challenged himself, whether it be his dream of a music career or maybe, especially true love. When everything is at its best in his superficial life he has an accident that leads to him becoming blind. A whole world closes, or rather opens up. When he sees everything in black, he meets Mia, a personal assistant. A girl he normally would not pay any attention to. She becomes the first to successfully open his eyes to what is important in life. But when Sebastian discovers that Mia is not who he expected superficiality gets an entirely different meaning. EGO is a romantic comedy drama about vanity, love, sex, and that things are not always as they seems.

一个住在森林中的残忍的杀手听到脑海中声音，被吸引到湍急河流的岸边。他被无形的力量冲到猪场附近的一个小磨坊。在那里，他看见他的另一个自我（一个女人）在磨坊干活。她跟他一样也拥有杀戮欲。两人联手将对没有戒备的村民展开一场血腥的大屠杀……

梅兰妮拥有一个幸福的童年，尽管她的父亲时常令她困惑又沮丧，但母亲的陪伴与承诺让她感受到爱与勇气。继父杰克的出现逐渐破坏了母女间的关系。随着梅兰妮逐渐长大，噩梦不断上演。面对母亲愈发严重的沉默，梅兰妮感到绝望，她不再依赖和信任母亲，变得偏执且易怒。在经历一场悲剧后，梅兰妮最终被困在了心灵的牢笼中无法挣脱。

在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...

在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...