The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

欢乐闹腾的梦幻书院开学啦！喜欢耍帅犯二的剑侠客、天真烂漫的骨精灵、天然呆的杀破狼、爱吃醋的巫蛮儿、热心肠的逍遥生……这样一大群性格迥异的同学们在一起，不知道会发生什么有趣的故事？又会闹出怎样的笑话呢？敲黑板！记得认真听课，梦幻书院的师父们还有江湖秘技要传授给大家哦！！

国外一些大学保留着古老、传奇的神秘社团，像美国耶鲁的“骷髅会”，拉特格斯的“牛血社”。他们成员包括总统、科学家、富豪、领袖等精英，在一些历史事件中发挥过重大影响力。 可靠记载，半个多世纪前，浙江大学存在过一个叫“求是科学会”的组织，成员包括竺可桢在内的学校主要科学家，旨在探讨前沿科学话题。 求是会汇集了众多科学家，他们在研究什么？1940年贵州挖出的神秘物件，到底是什么，现在又保存在哪里？这些与求是会半个多世纪的命运，又有什么关系？ 这不仅仅是一部网剧，它更是一部你从未知道的的神秘历史……

改编自剧本杀IP《金陵有座东君书院》。 　　宋初开宝年间，南唐割据于江南，凭借长江天堑抵抗一统。潜伏在金陵的宋谍为一幅助力宋军渡江的《横江图》，与南唐的探察司展开了激烈的谍战。在此背景下，市井少女王屋山与东君书院的著名贵公子、宋谍南宫寒相遇，宿命般纠缠在一起，从相互猜疑，到相爱相杀，共同成长。王屋山也从贪吃爱财、只想安稳度日的少女成长为心怀天下、出类拔萃的顶级谍者。

改编自剧本杀IP《金陵有座东君书院》。 　　宋初开宝年间，南唐割据于江南，凭借长江天堑抵抗一统。潜伏在金陵的宋谍为一幅助力宋军渡江的《横江图》，与南唐的探察司展开了激烈的谍战。在此背景下，市井少女王屋山与东君书院的著名贵公子、宋谍南宫寒相遇，宿命般纠缠在一起，从相互猜疑，到相爱相杀，共同成长。王屋山也从贪吃爱财、只想安稳度日的少女成长为心怀天下、出类拔萃的顶级谍者。

暂无剧情简介

欢乐闹腾的梦幻书院开学啦！喜欢耍帅犯二的剑侠客、天真烂漫的骨精灵、天然呆的杀破狼、爱吃醋的巫蛮儿、热心肠的逍遥生……这样一大群性格迥异的同学们在一起，不知道会发生什么有趣的故事？又会闹出怎样的笑话呢？ 敲黑板！记得认真听课，梦幻书院的师父们还有江湖秘技要传授给大家哦！！

山峦绵延，沉浸在肃穆之中。《熊》的开篇，导演让－雅克·阿诺用全景镜头将我们置身于广袤的自然之中。这里仿佛是另一个星球，只见一只小熊正笨拙地掏食蜂蜜。这时，它的母亲闻到了蜂窝的香味，用力地往石碓下刨……小熊名叫约克，长毛掩住了它的眼睛，它正专心享受着，却不知灾难即将降临：石碓突然坍塌，大熊被砸死了。小熊嗷嗷地叫着，推着母亲的身体，期待它重新站起来。过了许久，它终于意识到妈妈再也不可能苏醒，从今往后自己将独立谋生了。饥肠辘辘的小熊开始自己迷失，青蛙、蝴蝶都成了它追逐的对象……

Jack has a new girlfriend, but hasn't quite learnt his lesson...