Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

父亲在翻修房子时在墙内发现了一个上锁的保险箱，母亲与两姐妹在不停猜测箱内为何物的同时，决定听从父亲的建议把保险箱原样放在家中，永远保留那份珍宝。经年累月之后，一家四口的生活发生巨变。一座房子承载的记忆摇摇欲坠，神秘的保险箱似乎成为了生活的某种隐喻。

父亲在翻修房子时在墙内发现了一个上锁的保险箱，母亲与两姐妹在不停猜测箱内为何物的同时，决定听从父亲的建议把保险箱原样放在家中，永远保留那份珍宝。经年累月之后，一家四口的生活发生巨变。一座房子承载的记忆摇摇欲坠，神秘的保险箱似乎成为了生活的某种隐喻。

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

这部140分钟的纪录片详细讲述并记录了魏德圣在拍摄《赛德克·巴莱》的12年间遇到的诸多苦难与磨难。从电影的开始到完成，所有工作人员在全台湾超过25个拍摄地，跋山涉水，全心全力投入的拍摄历程。以及期间遇到资金、环境、天气等种种困扰的考验，纪录片的精彩程度不输电影，细致的刻画了这位台湾导演为了自己的梦想而付诸的努力与汗水。

这部140分钟的纪录片详细讲述并记录了魏德圣在拍摄《赛德克·巴莱》的12年间遇到的诸多苦难与磨难。从电影的开始到完成，所有工作人员在全台湾超过25个拍摄地，跋山涉水，全心全力投入的拍摄历程。以及期间遇到资金、环境、天气等种种困扰的考验，纪录片的精彩程度不输电影，细致的刻画了这位台湾导演为了自己的梦想而付诸的努力与汗水。

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龙城市公安局的辅警高风（经超饰），通过处理几年前的一场抛尸案，发现了与法医爷爷、刑警父亲都有关系的一桩大案。但高风坚持相信爷爷和父亲是清白的，…