改编自白鹭成双同名人气小说。讲述侍郎之女沈归燕聪慧率真、一身正气，可不拘小节的她却不甚讨嫡母与长姐的喜爱，生母突然蒙冤离世更是让沈归燕孤立无援的处境雪上加霜。可即便受到重重打击，不服输的沈归燕仍积极面对、自强自立，她决心查明生母去世的真相。她与相府四少爷顾朝北意外结缘，顾朝北多次助其于危难间，二人似欢喜冤家般感情逐渐升温，顾朝北被沈归燕看似柔弱外表下隐藏着的坚韧不屈与果敢睿智所深深吸引，几经坎坷终得以娶其为妻。婚后，沈归燕助顾朝北整顿相府、内外兼修，同时也查清了生母当年蒙冤的真相，还其清白。可好景不长，外邦突然入侵，皇上知顾朝北心性坚韧，胸怀天下，可堪重任，遂派其亲征抵御外敌。战乱平息后，天下重归太平，山河无恙，沈归燕与顾朝北白首相依，厮守到老。

改编自白鹭成双同名人气小说。讲述侍郎之女沈归燕聪慧率真、一身正气，可不拘小节的她却不甚讨嫡母与长姐的喜爱，生母突然蒙冤离世更是让沈归燕孤立无援的处境雪上加霜。可即便受到重重打击，不服输的沈归燕仍积极面对、自强自立，她决心查明生母去世的真相。她与相府四少爷顾朝北意外结缘，顾朝北多次助其于危难间，二人似欢喜冤家般感情逐渐升温，顾朝北被沈归燕看似柔弱外表下隐藏着的坚韧不屈与果敢睿智所深深吸引，几经坎坷终得以娶其为妻。婚后，沈归燕助顾朝北整顿相府、内外兼修，同时也查清了生母当年蒙冤的真相，还其清白。可好景不长，外邦突然入侵，皇上知顾朝北心性坚韧，胸怀天下，可堪重任，遂派其亲征抵御外敌。战乱平息后，天下重归太平，山河无恙，沈归燕与顾朝北白首相依，厮守到老。

梁氏掌门人梁泰声对公交售票员童嘉许一见钟情，对其展开猛烈的攻击，不料却遭重重险阻，但童嘉许最终还是被梁泰声的真心感动，此时，暗恋梁泰声已久的金家小姐联合童嘉许前男友联合计划了一个大阴谋

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

童嘉许遇大佬梁泰声纠缠，求未婚夫卫川早婚未果，婚礼上被卖，梁泰声救她并求婚被拒。母病重，梁泰声带钱相助，童嘉许与其结婚一年。婚后梁照顾岳母，保护童嘉许，后意外得知真相是梁泰声当年救了童嘉许，最终两人相守。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

一个横穿中亚旅行的德国男人遇到了一个哈萨克斯坦高中女生，两人在彼此身上找寻着想象中的自由，最终却在大漠分道扬镳。影片将不对等的情感关系浓缩在一个精简的故事之中，在角色对自由的差异化表达中展现出不同文化的激烈碰撞和西方外来者的傲慢视角。以漫天黄沙和绚烂彩霞作为故事背景，在宏大的全景镜头中展现了中亚戈壁另类的柔和美感。

燕子和丈夫及公公住在哈萨克草原上的一个养马场里。燕子与这里每个人的关系都很疏远，而丈夫则对初恋女孩艾娜念念不忘。随着一名法国摄影师路易斯的到来，一切都改变了。 　　哈萨克斯坦女导演玛丽卡·穆哈梅詹去年曾以短片《燕子》入围上海国际电影节金爵奖短片竞赛单元，而在这部她的长片首作里 ，她让燕子化身为女主角，探讨了女性如何面对孤独。片中的燕子优雅深情，不甘平淡，当一段令人心动的情感出现时，她从依附到逃离再到勇敢地走向自己不确定的未来，让观众看到了当代女性的坚韧和自信。

1983年，当大学城的春日特别炎热时，“杰比”和“恩淑”是带头参加学生运动的战友和秘密恋人，也是一个因为爱恩淑而别无选择只能成为“Frakchi”的人。四十年后，恩淑的儿子“浩妍”得知了三人的故事，并一一揭开了他们的爱情、革命和秘密。 　　Frakchi，源自俄语，1949 年韩国国民议会 Frakchi 事件后，“frakchi”一词被广泛使用。当时，据说属于韩国劳动党（WPK）的几名国会议员参与了“frakchi”活动，以代表朝鲜在国会中的地位。大约在1980年代，当大学生的民主抗议活动活跃时，国家为跟踪大学生的动向而引入的“假大学生”被称为frakchi。

1983年，当大学城的春日特别炎热时，“杰比”和“恩淑”是带头参加学生运动的战友和秘密恋人，也是一个因为爱恩淑而别无选择只能成为“Frakchi”的人。四十年后，恩淑的儿子“浩妍”得知了三人的故事，并一一揭开了他们的爱情、革命和秘密。 　　Frakchi，源自俄语，1949 年韩国国民议会 Frakchi 事件后，“frakchi”一词被广泛使用。当时，据说属于韩国劳动党（WPK）的几名国会议员参与了“frakchi”活动，以代表朝鲜在国会中的地位。大约在1980年代，当大学生的民主抗议活动活跃时，国家为跟踪大学生的动向而引入的“假大学生”被称为frakchi。