乌波姐（苏达拉·布查蓬 Sudarat Butrprom 饰）在学校里一直都是尖子生，性格开朗乐观的她深受同学们和老师们的喜爱，然而，在这所学校里，乌波姐已经呆了七年了，并不是考试不合格无法毕业，这其中的缘由，只有乌波姐一个人知道。 　　一天，学校里来了一个名为铁（Tanwa Suriyajak 饰）的男生，铁拥有着英俊帅气的外表，他的到来令学校里的女生全部都蠢蠢欲动起来，很多人都加入到了这场爱情争夺战中。因为铁的存在，乌波姐本来摆设的塔罗牌摊子，俨然变成了替人解决爱情难题的感情研究所。一天，一个名叫小牧的女孩来找乌波姐，她希望乌波姐能够帮她解决她尴尬的爱情难题。

乌波姐（苏达拉·布查蓬 Sudarat Butrprom 饰）在学校里一直都是尖子生，性格开朗乐观的她深受同学们和老师们的喜爱，然而，在这所学校里，乌波姐已经呆了七年了，并不是考试不合格无法毕业，这其中的缘由，只有乌波姐一个人知道。 　　一天，学校里来了一个名为铁（Tanwa Suriyajak 饰）的男生，铁拥有着英俊帅气的外表，他的到来令学校里的女生全部都蠢蠢欲动起来，很多人都加入到了这场爱情争夺战中。因为铁的存在，乌波姐本来摆设的塔罗牌摊子，俨然变成了替人解决爱情难题的感情研究所。一天，一个名叫小牧的女孩来找乌波姐，她希望乌波姐能够帮她解决她尴尬的爱情难题。

乔·沃茨([蜘蛛侠：英雄归来])商谈执导迈克尔·B·乔丹主演华纳新片[玛士撒拉]。扎克·迪恩([陷阱])撰写初版剧本，托尼·吉尔罗伊([夜行者])撰写最新版本剧本，目前仍在寻找编剧重写撰写剧本。影片将讲述《圣经》中活了969岁的玛士撒拉的故事。在玛土撒拉969岁那年，希伯来历世界纪元1656年的第11个玛西班月，他过世了。在玛土撒拉死去后7天，世界发生大洪水。他的长寿使其名字成为了不少古老东西的代名词。迈克尔·B·乔丹、大卫·海曼、杰弗里·克利福德担任制作人。

乔·沃茨([蜘蛛侠：英雄归来])商谈执导迈克尔·B·乔丹主演华纳新片[玛士撒拉]。扎克·迪恩([陷阱])撰写初版剧本，托尼·吉尔罗伊([夜行者])撰写最新版本剧本，目前仍在寻找编剧重写撰写剧本。影片将讲述《圣经》中活了969岁的玛士撒拉的故事。在玛土撒拉969岁那年，希伯来历世界纪元1656年的第11个玛西班月，他过世了。在玛土撒拉死去后7天，世界发生大洪水。他的长寿使其名字成为了不少古老东西的代名词。迈克尔·B·乔丹、大卫·海曼、杰弗里·克利福德担任制作人。

Saratan is a film made in 2005 by the Kyrgyz director Ernest Abdyjaparov, with financial assistance from Germany, and distributed in the West by a German company. 　　The film was made more than ten years after the demise of the Soviet Union - when the various socialist republics suddenly found themselves with unexpected independence – which brought with it an economic malaise following the withdrawal of Moscow’s subsidies, and an ideological vacuum which together left Kyrgyzstan and its neighbouring Central Asian republics facing economic hardships and social upheavals. 　　It centers on the lives of people in one small Kyrgyz village, a snapshot of life with happy and sad elements side by side. It can also be seen, however, as providing a comment on the country’s history, society and culture in the period following independence, “where the average citizen is struggling with a sheer insurmountable number of difficulties.” 　　Fourteen years into independence, there are several things that just don’t seem to work in this small Kyrgyz village: the farms are not working; the people are poor without prospects for a better future although a few “rich” people have benefited – to the disadvantage of the average villager, employment is virtually non-existant and the little money that is earned is, all too often, spent on vodka. 　　More than 40 characters populate the film and provide a kaleidoscope of personal stories and relationships. Amongst them are: drunkards, thieves, philanderers, hypocrites, adulterers, layabouts, a malicious jester, a shaman, a cheating wife, a mullah who oversleeps and has to rush to conduct morning prayers in which no-one seems to take an interest, a traffic policeman directing non-existent rush-hour traffic in the village square, the local mayor struggling to cope with an apathetic community in which seems to take him seriously, a Jehovah’s Witness missionary who finds an avid in the Communist die-hard as they share a prison cell, a cattle thief and his family who utter an Islamic prayer fused with nomadic gestures when slaughtering a stolen lamb 　　The “heroes” of the film, however, are the “Kyrgyz people” – who, despite the trials and tribulations of everyday life in a depressed economy, nevertheless manage to overcome them and find ways to cope with the apparent hopelessness of their situation. 　　Two phrases used by reviewers in describing it are: ”a happy-sad snapshot” and “tragicomic tales of politics, tradition, modernity, pride and honour”. The humour is underlined by a elements of satire, cynicism, self-mockery, a sense of absurdity and occasional moments of “slapstick”. 　　It was made on a small budget – just USD120,000 – and has been shown in a number of film festivals in Berlin, California, Cardiff, London and Marakesh – where it was the “Golden Star” prize, and in Russia where it has also won prizes. 　　Abdyjaparov says: “As far as context is concerned, this film is about difficulties of Kyrgyzstan for the last 10 years after it became independent from the Soviet Union. I showed it [the history of Kyrgyzstan] through a small Kyrgyz village, its history, people, social, economic and even philosophical issues and developments. I tried to show the whole country’s fate by showing one village,” .

这部动画是根据19世纪意大利冒险小说作家Emilio Salgari（1862-1911）的著名作品改编。小说共有3部，分别是《Sandokan: The Tigers of Mompracem》（1896）、《Sandokan: The Pirates of Malaysia》（1900）、《Sandokan: The Two Tigers》（1904）。动画制作于1992年，英文名是The Princess and the Pirate/SandoKan，全部共26集

In this mini-series in six parts from 1976 the Indian actor Kabir Bedi plays the lead role. Carol Andre plays Lady Marianna Guillonk and as Sandokans best friend Yanez de Gomera we see Phillipe Leroy. The noble prince Sandokan is a fighter of the first rank who are cruel to their enemies, but always loyal to his friends.

In Borneo, Sandokan is a pirate who lives by the day: he fights only for himself and his crew. But his life changes when he meets Marianne, the beautiful daughter of the British consul in Labuan. It is the beginning of an impossible love affair between two similar souls.

三四十年代，在成渝线上一个怪异诡谲的大客栈里，迎来送往出没于此的是人间各色人物——官吏 商贾、恶霸土匪、读书人风尘女、叫花子跑滩匠……均在此留下一段故事。客栈的老板梅老坎，谈吐机趣，幽默诙谐；老板娘“风车车”张扬泼辣，敢说敢为——两人相映成趣，行事默契，惩恶扬善，演绎了一出出妙趣横生的人间喜剧；俊俏的香辣妹落难于客栈，镇长何滚龙不时来插科打诨，嬉笑怒骂，讲述一个个令人捧腹的龙门阵。 　　片尾曲——《老坎客栈》 　　楼上的客，楼下的客， 　　听我老板来交涉： 　　夜路不走住店歇，谨防前头遇棒客。 　　个人东西收检到，你好我好大家好。 　　要喝茶，你说话， 　　掺茶的博士王老大。 　　要吃饭，你开腔， 　　回锅肉炒得喷喷香。 　　要屙尿，有夜壶， 　　莫要在床上画地图。 　　要走路，你请早， 　　滑竿送你上成都嘛上成都！

三四十年代，在成渝线上一个怪异诡谲的大客栈里，迎来送往出没于此的是人间各色人物——官吏 商贾、恶霸土匪、读书人风尘女、叫花子跑滩匠……均在此留下一段故事。客栈的老板梅老坎，谈吐机趣，幽默诙谐；老板娘“风车车”张扬泼辣，敢说敢为——两人相映成趣，行事默契，惩恶扬善，演绎了一出出妙趣横生的人间喜剧；俊俏的香辣妹落难于客栈，镇长何滚龙不时来插科打诨，嬉笑怒骂，讲述一个个令人捧腹的龙门阵。 　　片尾曲——《老坎客栈》 　　楼上的客，楼下的客， 　　听我老板来交涉： 　　夜路不走住店歇，谨防前头遇棒客。 　　个人东西收检到，你好我好大家好。 　　要喝茶，你说话， 　　掺茶的博士王老大。 　　要吃饭，你开腔， 　　回锅肉炒得喷喷香。 　　要屙尿，有夜壶， 　　莫要在床上画地图。 　　要走路，你请早， 　　滑竿送你上成都嘛上成都！