In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls. 　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds. 　　源自：https://sdaff.org/2023/movies/come-home-my-child/

电影《贞子归来》由稻草人影业出品。剧情简介：电影贞子归来讲述抗日战争爆发前，两姐妹贞子和川子随父来到中国，并同时喜欢上一日本男生，出于嫉妒，姐姐川子将妹妹贞子闷死在木箱内，怨气化成厉鬼，多年之后，一学生无意中路过荒废的茅草屋，贞子的怨气投附到投影仪上被辗转带回城市，引发数件离奇死亡事件，一切矛头指向贞子，但其实投 影仪里还有另外一股怨气。

以当代少年儿童的家庭、学校生活及社会活动为主描写对象，通过一个个小故事展现现实生活中不良习惯、行为与中国优秀传统文化的矛盾冲突，让孔子“走近"现代生活用他的思想理念解决现实矛盾冲突，从而培养青少年美好品德和良好的学习、生活习惯。故事贴近青少年儿童的生活，生动、鲜活、即风趣幽默，又富有哲理性。

riko　　世界上再也比她们更可怕的女人了，大韩民国29岁的爱子（崔江姬饰）和她的妈妈（金英爱饰）。　　从中学时代就赢得了“釜山的托尔斯泰”美誉的爱子如同被神赋予了魔力自小文笔出众，带着成为小说家的梦想到首尔打拼的她过得并不如预想中那么如意：在电视圈里的努力没有得到完全的认可，男朋友（裴秀斌饰）是出了名的花心大少，欠下的账单堆积如山……在如此一团糟的情况下，还要疲于应付不到咽下最后一口气都绝不认输的“天敌”妈妈，被迫迎接和妈妈的同居生活。　　被妈妈“虐待”着的爱子为了筹够哥哥婚礼的礼金，没日没夜的辛勤笔耕着，为了“复仇”，爱子将小说的情节设计成白色婚礼惨变成血腥杀人事件。眼看截稿日子就快到了，爱子却一脑子的空白，想帮点什么忙的妈妈总是似幽灵的在身边出现，令她不厌其烦。一天，正当她陶醉在自己的创意中时，她接到妈妈意外倒下现在被送进了医院的电话，跑着赶去医院的爱子，等待她的还有更惊人的现实……

riko　　世界上再也比她们更可怕的女人了，大韩民国29岁的爱子（崔江姬饰）和她的妈妈（金英爱饰）。　　从中学时代就赢得了“釜山的托尔斯泰”美誉的爱子如同被神赋予了魔力自小文笔出众，带着成为小说家的梦想到首尔打拼的她过得并不如预想中那么如意：在电视圈里的努力没有得到完全的认可，男朋友（裴秀斌饰）是出了名的花心大少，欠下的账单堆积如山……在如此一团糟的情况下，还要疲于应付不到咽下最后一口气都绝不认输的“天敌”妈妈，被迫迎接和妈妈的同居生活。　　被妈妈“虐待”着的爱子为了筹够哥哥婚礼的礼金，没日没夜的辛勤笔耕着，为了“复仇”，爱子将小说的情节设计成白色婚礼惨变成血腥杀人事件。眼看截稿日子就快到了，爱子却一脑子的空白，想帮点什么忙的妈妈总是似幽灵的在身边出现，令她不厌其烦。一天，正当她陶醉在自己的创意中时，她接到妈妈意外倒下现在被送进了医院的电话，跑着赶去医院的爱子，等待她的还有更惊人的现实……

由林浩主演，讲述了一位太子在被二皇子陷害后，带着前世记忆复活，并以暴躁果敢的性格展开逆袭的故事。太子原本身份卑微，受尽欺辱，复活后凭借智慧和魄力，开设钱庄、酒肆，轻松赚钱，逐渐扭转乾坤，踏上皇位，实现权力与财富的双重掌控，剧情紧凑、环环相扣，兼具爽文元素和古装穿越设定，人物设定鲜明，主题突出“勇者无惧”

曾是滨江地下世界霸主、黑金集团掌舵人，为父报仇后金盆洗手，专注经营饭店 “百味居”。重情重义，对养子孙天阳、孙天放视如己出，甚至为他们的非法集资、偷税漏税行为顶罪入狱五年。出狱后遭遇养子背叛、女婿家暴女儿等多重打击，却始终保有底线与韧性。身份揭晓后重拾气场，既秉持江湖道义惩治恶人，又保留一丝仁慈，最终为女儿讨回公道，重掌黑金集团。

新王妃携子归来王爷宠翻了